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2005 Newsroom
2005

December 31st,
2005 |
|
|
http://www.neumos.com/0116.html
MONDAY
JANUARY 16
2006
NEUMOS,
CHINESE
ROCKS,
AND THE
CREATORS OF
"MEMBERS
ONLY"
PRESENT
PETER HOOK
(FROM NEW
ORDER, DOING
A 2 HOUR DJ
SET)
PLUS ALL
KINDS OF
SPECIAL
GUESTS
$10.00
ADVANCE
$10.00 DAY
OF SHOW
8:00PM
21+
CONCERT
EVENT LINE :
206.709.9467
TEL :
206.709.9467
FAX :
206.709.9527
PHYSICAL
ADDRESS :
925 East
Pike Street
Seattle,
Washington
98122
|
December 17th,
2005 |
|
DO NOT MISS
NEW ORDER
LIVE
Tickets on
Sale
NOW //
From
Ticketmaster,
or phone
0870 190
8000.
They're
£40 each, so
get in
quick!
Also on
sale at:
Piccadilly
Box Office
1st floor
Easy
Internet
Cafe
Exchange
Street
St Ann's
Square
Manchester
M2 7HA
and in
Liverpool:
Radio City
Box Office
Kiosk 3
58 A
Houghton Way
St John's
Centre
Liverpool
L1 1LP
Line up
includes:
New Order,
Andy Rourke,
Johnny Marr,
Badly Drawn
Boy, Doves,
Mani,
Stephen
Fretwell,
808state, MC
Tunes and
that's just
for
starters,
we're
announcing
more names
as we get
closer to
the date.

|
December 15th,
2005 |
|
www.nme.com
Joy
Division to
record new
material
The
legends
reveal all
to NME.COM
New Order
are working
on new
material for
the
long-awaited
biopic of
former
Joy Division
singer
Ian Curtis.
Director and
celebrated
rock
photographer
Anton
Corbijn
- most
renowned for
his work
with
U2 -
has asked
the
legendary
Manchester
four-piece
to
contribute
songs to the
film
'Control'.
The biopic,
which is
based on a
book by
Ian's
widow
Deborah,
had been
planned for
a number of
years, but
the late
singer's
family were
never happy
with the
proposals
until
earlier this
year.
Bassist
Peter Hook
told
NME:
"We were
asked to do
the
soundtrack
to the film
which I
thought was
a fucking
great idea,
for
Joy Division
to do the
music for a
Joy Division
film because
we've never
really done
a soundtrack
before. The
soundtrack
could
include new
stuff.
Basically
Anton
wants to use
certain
songs by
Joy Division
so that each
song becomes
a video.
Like the way
the
'Atmosphere'
video was
filmed, he
wants to
write videos
that appear
in the film.
"Every time
we get
accolades
for
Joy Division
it makes [Ian's
suicide]
sadder,
especially
with the
film.
Working on
the film has
made the
whole thing
seem more
poignant."
It is 25
years since
Curtis
was found
hanging in
his home. As
a mark of
respect to
their former
singer,
New Order
have been
throwing in
Joy Division
songs during
most of
their sets
throughout
2005. This
culminated
in the band
playing a
set almost
entirely
made up of
Joy Division
songs last
month, as a
tribute to
the former
Radio 1
DJ
John Peel.
Hooky
said the
band are
considering
playing all-Joy
Division
sets at some
stage in the
future. He
added: "We
have
actually
talked about
doing
Joy Division
sets and
gigs but we
haven't
actually
found our
footing yet.
We did the
festivals
and had a
bit of time
off but
because
we've played
two gigs
recently and
had the
whole
UK Hall Of
Fame
thing we
haven't
really
decided what
we're gonna
do next. If
we deem it
to be
enjoyable
then we'll
do it."
Casting for
'Control'
is set to
begin next
spring and
the
production
team are
looking for
a big screen
actor to
play the
part of
Curtis.
|
December 14th,
2005 |
|
www.nme.com
Details
of
Manchester
charity gig
announced
Ticket
details for
Andy
Rourke's
Manchester
Vs Cancer
revealed
Tickets for
Lancastrian
super-gig
Manchester
Vs Cancer
are set to
go on sale
next week.
The show,
featuring a
host of
Manchester
legends,
takes place
at the
MEN Arena
on January
28, and is
being
organised by
The Smiths
bassist
Andy Rourke
to raise
funds for
the city's
Christie
Hospital.
Rourke
along with
New Order,
Badly Drawn
Boy, The
Doves,
Mani
and Stephen
Fretwell are
all
appearing,
with more
acts
expected to
be announced
soon.
Speaking
about the
event
Rourke
explained:
"It will
bring
together
people and
bands that
have made
Manchester
famous. It
will be huge
and the idea
is that this
will be the
start of an
annual event
to raise
money for
charity."
Tickets for
the bash
will go on
sale
at 10am on
December 17,
for more
information
go to
Manchestervcancer.co.uk
|
December 14th,
2005 |
|
Joy
Division
comeback
New Order plan
return to their
roots for biopic
14 Dec 05 - New Order have
revealed they
are working on
songs for the
film about their
late Joy
Division
bandmate Ian
Curtis.
Control
is based on
Touching From a
Distance,
the book by
Curtis's widow
Deborah. Casting
for the role of
Curtis - who
committed
suicided in 1980
- will take
place in the
spring.
The film is
being made by
director and
rock
photographer
Anton Corbijn,
who has worked
with U2 and
Depeche Mode.
Peter Hook
told NME they
wanted to record
new songs for
the film as Joy
Division.
He said: "We
were asked to do
the soundtrack
to the film,
which I thought
was a f***ing
great idea - for
Joy Division to
do the music for
a Joy Division
film - because
we've never
really done a
soundtrack
before.
"It may include
new stuff. Anton
wants to use
songs by Joy
Division so that
each song
becomes a video.
Like the way the
Atmosphere
video was
filmed, he wants
to write videos
that appear in
the film."
The Manchester
band are also
considering
playing all Joy
Division sets at
future gigs.They
played such a
set at the
October tribute
concert for John
Peel in London,
including a rare
outing for
Warsaw.
Hook said: "We
have actually
talked about
doing Joy
Division sets
and gigs, but we
haven't found
our footing
yet."
|
December 8th,
2005 |
|
New
Order
nominated
for a
Grammy
Award
Nominations
for the 48th
Annual
GRAMMY
Awards were
announced
today by The
Recording
Academy,
reflecting a
year in
which
multiple
genres were
represented
in top
categories;
collaborations
were
numerous and
diverse; and
newer
up-and-comers
were
nominated
alongside
more
established,
legendary
artists. The
nominations
were
announced at
Gotham Hall
in New York
City and the
event was
attended by
national and
international
media, as
well as key
music
industry
executives.
Artists
reading
nominations
this morning
included
Natasha
Bedingfield,
Big & Rich,
Mariah
Carey, Chad
Kroeger (Nickelback),
Patti
LaBelle,
John Legend,
Carly Simon,
Sway, and
CeCe Winans.
The 48th
Annual
GRAMMY
Awards will
be held on
Wednesday,
Feb. 8,
at Staples
Center in
Los Angeles
and once
again will
be broadcast
live in
high-definition
TV and 5.1
surround
sound on CBS
from 8 –
11:30
p.m.
(ET/PT)
www.grammy.com
Category 12
- Best
Dance
Recording
(For solo,
duo, group
or
collaborative
performances.
Vocal or
Instrumental.
Singles or
tracks
only.)
• Galvanize
The Chemical Brothers Featuring Q-Tip
The Chemical Brothers, producers; The Chemical
Brothers &
Steve Dub,
mixers
Track from: Push The Button
[Astralwerks]
• Say Hello
Deep Dish
Ali "Dubfire" Shirazinia & Sharam Tayebi,
producers;
Deep Dish &
Matt
Nordstrom,
mixers
[Thrive Records]
• Wonderful
Night
Fatboy Slim & Lateef
Fatboy Slim, producer; Simon Thornton, mixer
Track from: Palookaville
[Astralwerks]
• Daft Punk
Is Playing
At My House
LCD Soundsystem
The DFA, producers; The DFA & Andy Wallace,
mixers
Track from: LCD Soundsystem
[DFA Records/Capitol Records]
• I Believe
In You
Kylie Minogue
Babydaddy & Jake Shears, producers; Jeremy
Wheatly,
mixer
Track from: Ultimate Kylie
[Capitol Records]
• Guilt Is A
Useless
Emotion
New Order
New Order & Stuart Price, producers; New Order &
Stuart
Price,
mixers
Track from: Waiting For The Sirens' Call
[Warner Bros. Records]
|
December 1st,
2005 |
|
|
Off the Menu
Entertainment
Bulletin
Peter
Hook
DJ
Set
US
tour
January
2006
12th
Baltimore-
The
OttoBar
-Confirmed
13th
Las
vegas-
Ice
House
lounge-
Confirmed
14th
Costa
mesa
-Detroit
Bar-
Confirmed
15th
San
diego
-Casbah-Confirmed
16th
Seattle-Nemos-confirmed
17th
Portland-unconfirmed
18th
Tallahasse-unconfirmed
19th
Miami-unconfirmed
20th
Denver-Lipgloss
-Stanzi-Confirmed
21st
NYC-Tiswas-Venue
TBA
-Confirmed
|
November 28th,
2005 |
|
|
www.nme.com:
Supergroup
looking for
singer
Members
of New
Order, Stone
Roses and
The Smiths
search for
vocalist
Freebass
- a
supergroup
consisting
of
New Order's
Peter Hook,
The Smiths'
Andy Rourke
and
The Stone
Roses
Mani
- are on the
lookout for
a singer.
The band are
looking to
complete
their
line-up with
a fresh
face.
"We want
someone
young with
something to
say. Someone
new,"
Peter Hook
told
filer-mag.com.
"I think the
problem is
that the
three of us
have such a
pedigree of
vocalist,
that if we
come out
with someone
that's not
good we'll
obviously be
slated!
You've got
Ian Brown,
bloody
Bobby
Gillespie,
Ian Curtis,
Bernard
(Sumner)
and
Morrissey.
Those are
big shoes to
fill,
especially
collectively,"
he said.
Hooky
described
Freebass'
sound as "(sounding)like
New Order
with a bit
of the
Stone Roses
and a bit of
Smiths
and some
Northern
Soul."
The star
went on say
the songs
the
supergroup
have been
working on
contained
all three
bassists
playing
together.
"Mani
does the low
part,
Andy Rourke
in the
middle and I
do the high
bit. But it
works out
quite well,"
he said.
|
November 27th,
2005 |
|
New Order go
back to school
Secret gig
in a primary
school for Hooky
and the boys
New Order
finished their
recebt mini-tour
with a special
performance at
Oakwood High
School in
Eccles,
Salford
(November 18).
Playing in front
of 200 children
who weren't even
born when the
band began, the
gig came about
after an
associate of the
group mistakenly
rang up the
school and got
talking to the
Deputy Head.
Frontman
Bernard Sumner
then visited the
school, which
specialises in
art and
technology for
children with
complex learning
difficulties,
and promptly
promised to play
a gig in the
assembly hall
for a special
art class.
"I had a bad
experience at
school,"
Sumner
told
NME.COM,
"and it's nice
to see that the
education
authorities have
changed their
attitude towards
creativity. We
don't make
things in
Manchester
anymore since
the big
industries
closed down, but
it's a very
creative place.
Just look at the
bands. It's just
really nice to
see the
education
authorities,
after what I was
told, investing
in creativity
instead of
putting it on
the back
burner."
Playing for
little under an
hour before the
3 o'clock bell,
the band tore
through hits old
and new, with
Sumner
quipping; "I'd
heard our
audiences were
getting younger!
Where's the
music teacher?
We can't read
music you know,
it's all up
here."
But the show was
not without its
share of
rock'n'roll
behaviour.
Before
dedicating
'Love Will Tear
Us Apart'
to head teacher
Janis Triska,
bassist
Peter Hook
said: "I
promised I
wouldn't
swear... but
FUCK OFF!" and
promptly brought
the
pre-pubescent
house down.
New Order
played:
'Crystal'
'Regret'
'Krafty'
'Turn'
'Transmission'
'Your Silent
Face'
'Waiting For The
Sirens' Call'
'True Faith'
'Bizarre Love
Triangle'
'Love Will Tear
Up Apart'
'Blue Monday'
'Temptation'
|
November 26th,
2005 |
|
|
www.manchestervcancer.co.uk
NEW
ORDER
LIVE
JANUARY
28th
2006 at
Manchester
V Cancer
Live
music
event
Manchester
v Cancer is
the idea of
ex-Smith,
Andy Rourke,
following
news that
his
manager’s
sister and
father had
been
diagnosed
with cancer.
Andy and his
new company,
Great
Northern
Productions
Ltd decided
to group
together to
raise
£1million to
fund cancer
research at
Manchester’s
Christie
Hospital,
Europe’s
largest
cancer
treatment
and research
centre.
Manchester v
Cancer
tickets will
go on sale
in December.
Artists
include
New Order,
Doves, Andy
Rourke, Mani,
Badly Drawn
Boy, Stephen
Fretwell.
Much more to
be announce
www.manchestervcancer.co.uk
|
November 20th,
2005 |
|
|
www.gigwise.com
New Order
Play Special
Show At
Salford
School
The
Manchester
legends
played an
hour long
set in the
main hall of
Oakwood High
School
at about
4.30pm.
The show was
organised by
head teacher
Janis Triska
at the
school which
deals with
pupils with
learning
difficulties
and
specialises
in arts,
technology
and music.
Ms
Triska
was inspired
to organise
the show
after the
school
received an
‘Outstanding’
rating in
its Ofsted
report.
New Order
treated
pupils at
the Eccles
school to
all the
classics
including
‘Blue
Monday’,
and ‘Bizarre
Love
Triangle.’
Afterwards
Bernard
Sumner
told
reporters,
“Probably
half the
kids didn’t
know who we
were.
“It was
still
brilliant.
We came to
make people
feel
special, but
they made us
feel
special.
Creativity
wasn’t big
when me and
Hooky were
at school in
Salford.”
Janis Triska
told The
Guardian
afterwards:
“It's been
fabulous. I
can't begin
to describe
what's
happened.
The children
have had a
whale of a
time and
it's so
richly
deserved for
them and the
staff who
have worked
equally as
hard for the
Ofsted
inspection.
"The roadies
are coming
back in to
do a talk to
Year 10 and
12 about
jobs in the
industry and
Bernie
said he'd be
coming back.
“The kids
might not
have known
who they
were before,
but they all
certainly do
now."
|
November 19th,
2005 |
|
|
news.telegraph.co.uk:
Pop
bands often
treat fans
to the odd
intimate gig
after
hitting the
big time,
but New
Order took
the idea to
extremes
when they
performed at
a school
assembly
yesterday.
Not that
many of the
173 children
at Oakwood
High School,
in Salford,
had heard of
a band whose
biggest hit,
Blue Monday,
was released
in 1983 when
many of
their
parents were
teenagers.
|
|
|
|
Bass
guitarist
Peter
Hook
left
the
children
giggling
when
he
swore
|
The children
were,
however, all
too pleased
to miss
their
afternoon
religious
education
lesson.
"I've never
heard of
them but
it's great
that we've
had no
lessons
today," said
Nathan
Rogan, 15.
Naomi
Buckley, 13,
said: "When
we were told
that there
was a band
playing, I
thought it
might be
Status Quo
because they
were on
Coronation
Street the
other day."
The staff
was more
excited.
School
technician
Rob Cawood,
37, brought
a record in
to be signed
and Paul
Langley-Sadler,
31, the
computing
and
technology
co-ordinator,
brought his
camera,
desperate
for a photo
with the
band.
The unlikely
one-hour
concert came
about
through a
misunderstanding.
Alan Wise, a
music
promoter and
friend of
New Order's
lead singer
Bernard
Sumner, had
been trying
to call his
daughter's
school,
which has a
similar
name, and
dialled the
wrong
number.
He got
chatting to
Mike
Appleyard,
the deputy
head, who
was looking
for ways to
celebrate
achieving
specialist
arts college
status and a
good Ofsted
report.
Mr Appleyard
said: "I
asked him if
he knew
anyone
famous and
he suggested
New Order
and gave me
Bernard
Sumner's
home
number."
Sumner
visited the
special
needs
school,
which is
half a mile
from his
childhood
home, and
agreed to do
what he
could to
help.
He said:
"Mike asked
if we would
play a
concert,
which I
thought was
a bit
cheeky. Then
I thought,
why not?
"I am sure
the kids
didn't know
who the hell
we were, but
you are not
going to get
a more
honest
response
than from
children
that age."
The pupils
were indeed
honest. As
teachers
danced in
the aisles
and sang
along, many
of the
children
looked bored
or put
fingers in
their ears.
But after
four or five
songs most
began to
enjoy
themselves,
cheering,
waving their
arms or
playing air
guitar.
They were
most excited
when Peter
Hook, the
bass player,
shouted
"f*** off",
before
saying that
he would
probably get
a detention.
"He swore,"
giggled the
boys at the
back.
"That's all
they'll
remember,"
said Kate
Williams,
the learning
resource
manager. The
show wavered
between a
gig, a
school
assembly
(with
choruses of
"Good
afternoon
everybody")
and moments
of pantomime
when Hook
chanted: "I
think my
side's
cheering
louder than
his."
As the
children
filed out
one asked
his teacher:
"What was
the name of
that band?"
No one told
him that the
band he had
just heard
had released
the world's
biggest-selling
12in single,
Blue Monday,
and had
played in
front of
50,000 at
Glastonbury
festival
this summer.
The school's
brush with
fame is not
over yet.
Sumner will
be back on
Monday to
teach art
lessons, and
will bring
the artist
Damien Hirst
and the
actor Keith
Allen with
him.
|
November 19th,
2005 |
|
news.bbc.co.uk
New
Order
perform
school hall
gig
Music
legends New
Order helped
a school
celebrate a
good Ofsted
report by
holding a
lunchtime
concert
there.
The band
- two of
whom are
from Salford
- played at
the city's
Oakwood High
School after
being
inducted
into the UK
Music Hall
of Fame on
Wednesday.
The
school,
which caters
for pupils
with complex
learning
difficulties,
was praised
as "a very
good school"
by
inspectors
from Ofsted.
Singer
Bernard
Sumner said
he hoped the
gig made the
pupils "feel
special".
"I come
from this
town and it
can be a
very rough
place at
times and if
you've got
some sort of
disability
or problem,
you can
times that
by many
times
growing up
here," he
added.
 |
I don't know if we made them feel special but they made us feel special
|
"We
wanted to
come to make
these kids
feel
special, not
special
needs, but
special, and
to try and
raise their
self-esteem.
"When
they all got
up after the
second song
spontaneously
it was
fantastic
and you
couldn't
want a
better
litmus test
than playing
to a bunch
of kids who
probably
don't know
you're
stuff.
"I don't
know if we
made them
feel special
but they
made us feel
special."
Headteacher
Janis Triska
said the gig
was to help
the children
celebrate
the school's
Ofsted
report.
"It
seemed
sensible to
bring a
Salford band
to give a
concert to
the
children,"
she said.
"Fortunately
Bernard came
to visit the
school and
was so
pleased with
it he said
they'd give
a concert.
"A lot of
them
probably
won't have
known the
band but
after today
they're
enthralled."
|
November 18th,
2005 |
|
|
education.guardian.co.uk
New Order
help school
celebrate
success
When
headteacher
Janis Triska
received an
outstanding
Ofsted
report for
Oakwood high
school in
Manchester,
it took her
a while to
ponder how
to celebrate
best with
her pupils.
She put pen
to paper and
wrote to
every famous
person with
local links
she could
think of
inviting
them to come
and visit.
This
afternoon
Manchester
legends New
Order took
up that
invitation
and played a
surprise gig
for the
school's
pupils and
the media.
Bernard
Sumner, the
band's
guitarist
and singer,
visited the
school
earlier this
year and was
so impressed
he
reportedly
told Ms
Triska he'd
do whatever
they wanted
to help.
Oakwood high
in Ellesmere
Park,
Eccles, is a
special
school for
pupils with
learning
difficulties.
Its Ofsted
report this
summer
praised the
school's
breadth of
curriculum,
community
links and
the
relationships
between
staff and
pupils.
This
afternoon Ms
Triska was
dancing in
the assembly
hall to New
Order
classics
such as Blue
Monday and
Bizarre Love
Triangle.
"It's
been
fabulous. I
can't begin
to describe
what's
happened.
The children
have had a
whale of a
time and
it's so
richly
deserved for
them and the
staff who
have worked
equally as
hard for the
Ofsted
inspection,"
she told
EducationGuardian.co.uk
after the
gig ended.
"The roadies
are coming
back in to
do a talk to
Year 10 and
12 about
jobs in the
industry and
Bernie said
he'd be
coming back.
The kids
might not
have known
who they
were before,
but they all
certainly do
now."
Once the
band had
agreed to
the gig,
their
management
brought in
public
relations
consultant
Sara Teiger
who had the
tricky job
of telling
the world
about the
gig. The
school
specifically
asked for
publicity to
promote its
success
following
the Ofsted
report, but
could not
release the
news until
after New
Order had
left the
school at
4.30pm today
for fear
that they
would be
mobbed.
"Some of
the staff
have been
playing New
Order in the
classrooms
since eight
o'clock this
morning.
It's the
30-something
staff that
are going
mad about
it. Some of
the pupils
say that
their dads
were going
mad when
they heard."
|
November 17th,
2005 |
|
|
news.bbc.co.uk:
Rock
heroes Pink
Floyd, The
Who and New
Order have
been saluted
by the music
industry at
a ceremony
to induct
them into
the UK Music
Hall of
Fame.
The Prime Minister paid tribute to the Eurythmics
|
Posthumous
places went
to John Peel
and Jimi
Hendrix
while Prime
Minister
Tony Blair
led praise
for the
Eurythmics.
But Ozzy
Osbourne,
whose band
Black
Sabbath were
also
honoured,
stole the
show with a
bottom-baring
performance.
"That was a
lot of fun,"
he said
after
mooning at
the crowd
which gave
him a
standing
ovation at
the London
event.
Wednesday's
show was the
second
annual Hall
of Fame
ceremony,
after the
likes of The
Beatles,
Madonna and
U2 were
honoured
last year.
Ozzy
moons
"Considering
the amount
of talent
that comes
out of this
country, it
should have
been done 20
years ago,"
Osbourne
said.
Black
Sabbath were
presented
with their
award by
Queen
guitarist
Brian May,
then
Osbourne
went on to
moon at the
Alexandra
Palace
crowd.
Pink Floyd
were
honoured
after
reforming at
Live 8 in
July.
Ozzy Osbourne bared his backside to the crowd
|
"It's nice
to be loved
and for
one's
contribution
to be
recognised
in some
way," singer
and
guitarist
Dave Gilmour
said.
"I suppose I
agree that
we have had
an influence
on modern
popular
music."
Gilmour
accepted the
award with
drummer Nick
Mason. Roger
Waters was
live on
screen from
Rome, where
his opera Ca
Ira is being
staged.
The tensions
between
Gilmour and
Waters rose
to the
surface when
Gilmour
thanked "all
the
passengers
on this
fabulous
ride we've
been on".
Waters
responded:
"I confess
I've never
felt like a
passenger."
Gilmour
played down
suggestions
of a further
reunion,
saying: "The
Live 8
moment was a
wonderful
moment.
"But we've
all moved on
and there
are lots of
other things
to be
thrilled
about these
days."
Peel
inspiration
Mason said
there were
"no plans"
to get back
together but
he would
like to do
so.
If they did,
it would
probably be
"for the
same sort of
reason" as
Live 8, he
said.
Peter Hook (left) and Bernard Sumner of New Order collected a gong
|
John Peel's
honour was
accepted by
his wife,
Sheila,
after an
introduction
from Blur
and Gorillaz
frontman
Damon Albarn.
"John Peel
was somebody
that we
could all
trust,"
Albarn said.
"Throughout
his life, he
gave people
a sense of a
bigger world
out there."
Steve
Winwood and
former Guns
N' Roses
guitarist
Slash
covered Jimi
Hendrix
songs while
Alanis
Morissette
performed a
tribute to
Bob Dylan.
Jamie Cullum
starred in
an Aretha
Franklin
tribute and
the
Eurythmics
performed a
medley of
their hits.
Mr Blair was
seen in a
video
message to
the
Eurythmics,
recalling
hearing
Sweet Dreams
around the
time he
became an MP
in 1983.
"It was just
completely
new, a
different
sound," he
said.
"They're two
remarkable
people -
very
talented,
very
original."
Ceremony
organisers
are
considering
building a
real Hall of
Fame
attraction,
possibly in
the
Millennium
Dome.
"Meetings
are
happening at
the top
level and we
hope to make
an
announcement
shortly," a
Hall of Fame
spokesman
said.

|
November 15th,
2005 |
|
|
VH1 Will
Telecast
'The Second
Annual UK
Music Hall
of Fame
Induction
Ceremony' on
Saturday
November
26th 9:00 PM
For the
first time
ever in the
U.S., VH1
will
broadcast
"The Second
Annual UK
Music Hall
of Fame
Induction
Ceremony"
with the
entire
two-hour
ceremony
airing
exclusively
on VH1
Classic
right after
the premiere
on VH1.
Artists who
have been
publicly
announced to
date are:
PINK FLOYD,
BOB DYLAN,
EURYTHMICS,
OZZY
OSBOURNE AND
BLACK
SABBATH, THE
WHO, THE
KINKS, JIMI
HENDRIX, JOY
DIVISION/NEW
ORDER and
the late,
great
legendary DJ
and producer
JOHN PEEL.
The UK Music
Hall of Fame
is produced
by Initial
(part of
Endemol) and
distributed
by Channel 4
International.
The second
annual "UK
Music Hall
of Fame
Induction
Ceremony"
will take
place at the
famed
Alexandra
Palace in
London on
November
16th and
premiere on
VH1 as a
two-hour
live
extravaganza
on Saturday
November
26th 9:00
PM.* The
ceremony
will be
staged in
front of a
3,000 strong
audience and
reveal up to
ten
legendary
artists and
one music
industry
figure to be
inducted
into the UK
Music Hall
of Fame. For
the first
time,
viewers in
America will
be able to
witness this
totally
unique and
utterly
unmissable
evening
packed with
amazing live
performances
from top
international
artists,
exclusive
video
packages and
tribute
speeches
from some of
the leading
celebrities
of our time.
VH1 Classic
will air the
entire,
unexpurgated
ceremony on
Sunday,
November 27
at 8:00 PM
ET/5:00 PM
PT and again
at 11:00 PM
ET/8:00 PM
PT. VH1
Classic
viewers will
witness the
complete
show,
brimming
with amazing
performances
and tributes
to huge to
be missed.
On November
11, 2004
music
history was
made with
the
inaugural
ceremony of
The UK Music
Hall of
Fame. The
Beatles,
Michael
Jackson,
Madonna, Bob
Marley,
Elvis
Presley,
Queen, Cliff
Richard &
The Shadows,
The Rolling
Stones, U2
and Robbie
Williams
were the
first
artists to
enter the UK
Music Hall
of Fame and
Chris
Blackwell
(the founder
of Island
Records) was
given the
Honorary
Membership
for services
to the music
industry.
Inductees
are chosen
by a highly
select group
of
entertainment
industry
professionals.
|
November 13th,
2005 |
|
|
www.livegigsonline.com:
Exclusive
New Order
Webcast from
Manchester -
Monday 14th
November
2005
Text
NEWORDER
to
60999,
and for just
£5 you can
see New
Order's
sell-out gig
in
Manchester
live online
on Monday
14th
November,
and as many
times as you
like for 7
days after
that.
You can also
register
online at
http://www.livegigsonline.com/gigs/neworder.asp
|
November 11th,
2005 |
|
|
www.nme.com:
New Order
roll out the
hits
Collection
of anthems
and Joy
Division
classics
played in
London
New Order
performed a
collection
of classic
anthems and
legendary
Joy Division
songs last
night
(November
10) for the
first of two
special
shows in
London
and
Manchester.
The
legendary
four-piece
treated fans
to a
90-minute
set at
Brixton
Academy
packed with
hits from
their back
catalogue
including
'Ceremony',
'Bizarre
Love
Triangle',
'Temptation',
'True Faith',
'Regret'
and their
Number One
hit
'Blue
Monday',
a song which
the band
were forced
to cut from
their
Glastonbury
set this
year.
They also
threw in
Joy Division
favourites
'Transmission',
'Love Will
Tear Us
Apart',
'Shadowplay'
and
'Warsaw'.
Speaking
before the
gig bassist
Peter Hook
told
NME.COM:
"The reason
why we
decided to
do these
shows was
basically to
give the two
places in
England
which had
given us the
most, the
nod really.
"After doing
the
festivals,
which I
think we
felt quite
happy with
cos we
reached so
many people,
we sort of
went home
and
everybody
started
moaning at
us cos we
hadn't
played our
home town.
We were a
little bit
worried we'd
negelected
our home
town and
generally
because of
our
guestlist
there we
don't make
any money so
we decided
to do this
date as well
to make some
money to pay
for the
Manchester
gig."
During the
encore,
singer
Bernard
Sumner
even pulled
their video
producer
Michael
Shamberg
up on stage
for a
special
dedication.
The
New Order
frontman
said: "We
would like
to dedicate
this next
track to
Michael
Shamberg.
Give him a
cheer, he
hasn't been
very well
lately,"
before
Sumner
launched
into the
Joy Division
track
'Shadowplay'.
He also took
a swipe at
Green Day
after
performing
early hit
'Warsaw'
when he
said: "That
was one of
our first
singles and
that is what
shit Green
Day try and
play".
They closed
the set with
'She's Lost
Control'.
New Order
head up to
Manchester
next Monday
(November
14) before
they are
inducted
into the
UK Music
Hall Of Fame
alongside
the likes of
The Who,
Jimi Hendrix
and
Pink Floyd
on Thursday
(November
17).
Speaking
about the
honour
Hooky
added: "What
excites me
most about
it is the
company.
It's quite
weird cos
you do it as
New Order
and you're
part of the
night and
its like a
Brits
thing. Its
like an
excuse for a
piss up a
lot of the
time and
sometimes
you worry
that it's
cheap TV.
But it is a
very nice
compliment
to be put in
with that
bracket with
the likes of
The Who.
If it gets
me out of
the house
then fucking
great."
New Order
played:
'Ceremony'
'Love
Vigilantes'
'Crystal'
'Regret'
'Krafty'
'Turn'
'Transmission'
'KW1'
'Waiting For
The Sirens
Call'
'True Faith'
'Bizarre
Love
Triangle'
'Love Will
Tear Us
Apart'
'Temptation'
'Blue
Monday'
ENCORE
'Shadowplay'
'3 1 G'
'She's Lost
Control'
|
November 7th,
2005 |
|
|
UK Music Hall Of
Fame
update:
More names
join UK
Music Hall
Of Fame and
now
you
can
be there!!!

For your
chance to
walk on the
red carpet,
sit in VIP
seats and
mingle with
the stars in
the after
show party,
call
0207 351
7499 or
email
ukmhof@quintusgroup.com
For
standard
seats call
0871 2200
260 or email
www.seetickets.com
MORE DETAILS
ABOUT THIS EVENT
The Line up
includes Ozzy
Osbourne & Jamie
Cullum
John Peel
(Performance
Buzzcocks, Peter
Hook, Datsuns,
El Presidente
and The Soledad
Brothers - Damon
Albarn Inducting
him)
Bob Dylan
(Alanis
Morrisette
confirmed for
tribute
performance)
Pink Floyd
(attending but
not performing)
The Kinks
(attending but
not performing.
Pretenders
performing
Tribute)
Jimi Hendrix
(Tribute
Performance
supergroup
including Slash)
New Order/Joy
Division
- performing
|
November 6th,
2005 |
|
|
Quick New Order
update:
Expect
"Guilt
Is A Useless
Emotion"
as
the next single
for the US
market.
The track was
produced by
Stuart Price who
also
worked on the
upcoming
Madonna album.
Two
digital maxi
singles
will be release
in the US
on 11/29.
Guilt Is A
Useless Emotion
DMD
Album Version
DJ Dan Club Mix
edit
Bill Hamel Vocal
edit
Blueplate Vox
edit
Morel's Pink
Noise edit
Mac Quayle Vocal
Mix
|
November 5th,
2005 |
|
|
Ex-Factory
stalwarts
ACR (A
Certain
Ratio) will
be
supporting
New Order at
their
Manchester
Apollo gig
on Monday
14th
November…
More info
will be
available
via the ACR
website –
www.acrmcr.com
|
October 21th,
2005 |
|
|
www.ticketmaster.co.uk
NEW ORDER LIVE
NOV 10TH
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NEW ORDER
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CARLING ACADEMY
BRIXTON
211 STOCKWELL
RD,LONDON
THU 10-NOV-05
DOORS 19:00
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NOV 14TH
SJM CONCERTS
PRESENT
NEW ORDER
PLUS SPECIAL
GUESTS
CARLING APOLLO
MANCHESTER
STOCKPORT ROAD,
MANCHESTER
MON 14-NOV-05
DRS 19:00
CLICK
HERE TO BUY
TICKET
|
October 17th,
2005 |
|
|
http://news.bbc.co.uk
Bands set for
Hall of Fame
honour
New Order performed at a recent concert in memory of John Peel
|
The Who,
The Kinks
and Joy
Division/
New Order
will be
inducted
into the UK
Music Hall
of Fame in
November.
The bands
will be
honoured
alongside
Pink Floyd,
Bob Dylan
and Jimi
Hendrix at
this year's
ceremony.
The
ceremony, at
London's
Alexandra
Palace on
16 November,
will feature
performances
by Alanis
Morissette
and The
Pretenders.
A panel
of 60
broadcasters,
artists,
journalists,
and industry
executives
have
selected the
bands.
Music
contribution
Artists
can be of
any
nationality
as long as
they have
had success
in the UK.
Last
year's
induction
ceremony saw
The Beatles,
Michael
Jackson,
Madonna, Bob
Marley,
Elvis
Presley,
Queen, Cliff
Richard &
The Shadows,
The Rolling
Stones, U2
and Robbie
Williams
become the
inaugural
members of
the UK Music
Hall of
Fame.
Bono of
U2 and
Madonna were
at the
ceremony to
pick up
honorary
awards.
This
year's
ceremony
will be
broadcast on
Channel 4 on
17 November
and will
also feature
New Order,
who received
the
NME Godlike
Genius Award
earlier this
year,
performing
the Joy
Division
classic Love
Will Tear Us
Apart.
Joy
Division
became New
Order after
the death of
lead singer
Ian Curtis
at the age
of 23 in
1980.
Former
Guns n'
Roses
guitarist
Slash will
also lead a
supergroup
in a
performance
to honour
legendary
guitarist
Hendrix.
The late
DJ John Peel
will receive
2005's
Honorary
Membership
of the UK
Music Hall
of Fame in
acknowledgement
of his
exceptional
contribution
to UK music.
DJ and TV
presenter
Dermot
O'Leary will
present the
induction
ceremony on
Channel 4,
while Radio
2's Mark
Radcliffe
will
broadcast
live from
the event.
|
October 14th,
2005 |
|
|
www.guardian.co.uk
Music legends
unite for Peel
tribute single
Robert
Plant and
Roger
Daltrey have
joined a
lineup of
musicians to
record a
tribute
single to
the late
John Peel.
The Led
Zeppelin and
Who stars
are set to
perform a
cover
version of
the
Buzzcocks'
Ever Fallen
In Love, one
of the Radio
1 DJs
favourite
records.
The
song's
author, Pete
Shelley,
will also
appear on
the single
alongside
Pink Floyd's
David
Gilmour,
Peter Hook
from New
Order and
Jeff Beck -
names who
owe their
careers to
Peel's
influence.
Newer acts
involved
include the Futureheads,
El
Presidente
and the
Datsuns.
It
features
piano by Sir
Elton,
rhythm
guitar by
David
Gilmour and
bass guitar
by Peter
Hook of New
Order.
Announcing
the new
version,
Shelley
said: "It is
very
eclectic.
That was the
magic of
John,
though. He
was somebody
who embraced
all forms of
music over
the last 40
years."
The
release has
been
masterminded
by Peel's
son Tom
Ravenscroft,
who
hand-picked
each artist.
"We have
tried to
make the
single a bit
like one of
Dad's shows,
in that it's
a mixture of
different
artists and
styles," he
said. "All
the artists
on the
record have
at some time
been played
by Dad,
whether
recently or
before I was
born, and in
some cases
before they
were really
popular.
It's
unpredictable,
and there's
hopefully
someone or
something in
it for every
listener.
"I was
astonished
and very
touched that
everyone
agreed to be
a part of it
and I'm sure
that the
project as a
whole and
the work
that has
been put
into it
would have
meant a huge
amount to
him."
Peter Hook
joined the
tribute to
Peel: "He
enriched my
life through
championing
my group and
he enriched
my life
through his
fantastic
radio
programme
and even
now, after
his death,
he enriches
my life
because I
get to make
a record
with people
who were my
heroes."
The
single will
be released
on
November 21,
to coincide
with Peel's
induction
into the UK
Music Hall
of Fame.
Proceeds
will go to
Amnesty
International,
whose
campaigning
work the DJ
supported.
A two-CD
tribute
album is
also
scheduled
for release
on October
17,
featuring
many Peel
favourites,
including
his hero
Lonnie
Donegan, his
favourite
band the
Fall and his
all-time
favourite
song,
Teenage
Kicks by the
Undertones.
A portion of
the profits
will
likewise go
to
charities.
|
October 14th,
2005 |
|
|
www.q4music.com
Win New Order
DVDs!
It's
been a good
week for
New Order.
On Monday,
they
received a Q
Legend Award
for their
work as Joy
Division,
which -
despite
Bernard
Sumner not
turning up
after
disputing
Q's review
of Waiting
For The
Siren's Call
- gratefully
accepted by
Peter Hook,
Steve Morris
and the
latest
Ian Curtis's
daughter
Natalie.
Then, on
Wednesday,
they played
a triumphant
Joy
Division-only
set at the
Royal
Festival
Hall in
honour of
the late
John Peel.
To mark the
occasion,
then,
Q4music.com
has 3 copies
of the new
New Order
DVD sets,
which
include the
1994
documentary
Neworderstory
and the
excellent
New Order: A
Collection,
which
features all
the videos
the band
have made
since 1981
(and a few
that had
nothing to
do with
them).
COMPETITION
WIN NEW ORDER
DVDs
|
October 14th,
2005 |
|
|
JOOLS HOLLAND
Later... Cool
Britannia 2
(2005 UK Region
2 PAL DVD
featuring 36
performances
from some of the
best British
bands arounds
including
appearances by
Kaiser Chiefs,
Hard-Fi,
Radiohead, Bloc
Party, The
Libertines,
Oasis, Keane,
Coldplay,
Embrace and many
more...). ** released
24 October 2005
**
1.
I Predict A Riot
– Kaiser Chiefs
2. Song 2 – Blur
3. Hard To Beat
– Hard-Fi
4. Moving –
Supergrass
5. There There –
Radiohead
6. Helicopter –
Bloc Party
7. Krafty – New
Order
8. Decent Days
And Nights –
Futureheads,
9. Lucky Man –
The Verve
10. Run – Snow
Patrol
11. If You
Tolerate This –
Manic Street
Preachers
12. Boys In The
Band – The
Libertines
13. Irish Blood,
English Heart –
Morrissey
14. Talk, Talk,
Talk – The
Ordinary Boys
15. Yes –
McAlmont And
Butler
16. Black And
White Town –
Doves
17. Cigarettes
And Alcohol –
Oasis
18. Silent Sigh
– Badly Drawn
Boy
19. Just Looking
– Stereophonics
20. Can’t Stop
Now – Keane
21. You Will You
Won’t – The
Zutons
22. Golden Gaze
– Ian Brown
23. The Power Is
On – The Go Team
24. Leafy
Mysteries – Paul
Weller
25. Freakin’ Out
– Graham Coxon
26. Michael –
Franz Ferdinand
27. Trash –
Suede
28. The Red, The
White, The
Black, The Blue
– Hope Of The
States
29. Tellin’
Stories – The
Charlatans
30. Tourist –
Athlete
31. Road Rage –
Catatonia
32. This Is
Hardcore – Pulp
33. Blindness –
The Fall
34. Why Does It
Always Rain On
Me – Travis
35. Trouble –
Coldplay
36. Ashes –
Embrace
|
October 13th,
2005 |
|
www.nme.com
New Order
launch John Peel
Day
The DJ's
life is
celebrated today
New
Order
kicked off the
celebrations for
John Peel Day
with an
extra-special
set filled
entirely with
Joy Division
songs.
Gigs are taking
place all over
the UK today
(October 13) to
mark the first
anniversary of
the iconic DJ's
death.
And playing the
special launch
show at
London's
Queen Elizabeth
Hall last
night, they
acknowledged the
fact that
Peel had
been the first
person ever to
their original
incarnation by
playing an
entirely
Joy Division-filled
set - the first
time they have
done so since
the suicide of
Ian Curtis
in 1980.
From the stage
singer and
guitarist
Bernard Sumner
said that they
would have got
"nowhere"
without the
support of
Peel.
And before the
show, bass
player
Peter Hook
explained their
decision: "We're
only playing
Joy Division
songs, we
thought he would
have liked it
that way. We've
been flirting
with it for
ages, talking
about doing a
Joy Division
set,
because we
thought the
contrast would
be nice, and I
just decided for
this to do it.
But it's worked
it, sounds good
and it's
interesting.
We're playing
two songs
tonight we've
not played for
25 years."
As well as
favourites
'Transmission',
'She's Lost
Control',
'Love Will Tear
Us Apart'
and
'Atmosphere'
, the six-song
set featured
'Shadowplay'
and
'3 1 G' ,
the first song
the band ever
wrote together.
New Order
were introduced
by
Fergeal Sharkey
of
The Undertones.
Other artists
performing were
Super Furry
Animals,
Venetian Snares
,
Misty In Roots
,
Jawbone,
Laura Cantrell
and
The Fall.
|
October 12th,
2005 |
|
|
www.bbc.co.uk
Keep It
Peel @ Queen
Elizabeth Hall,
October 12th
2005
New Order
(performing a
Joy Division
set)
Transmission
/ She's
Lost
Control
/Shadowplay /
LWTUA / Atmosphere
/ Warsaw

|
October 10th,
2005 |
|
Off The Menu
update:
After a huge
success on
the 240 hr
party
people,
Peter
Hook is mad
for more and
hits the
west coast
for 2 dates
in San Fran
& LA
San Francisco
-28th
Oct
Mezzanine
Los
Angeles -
29th Oct
Bang

|
October 10th,
2005 |
|
|
www.q4music.com

The Q
Awards
2005
took
place
today
Monday
10
October
at the
Grosvenor
House
Hotel,
Park
Lane,
London.

Presented
by Guy
Garvey
from
Elbow.
Winner:
Joy
Division,
accepted
by Peter
Hook,
Steve
Morris
and
Natalie
Curtis
(daughter
of Ian)
Peter Hook:"I remember Paul Weller saying to us one time: Are you the support band? And we said, No we're Joy Division.." Steve Morris: "That's very abstract, Hooky. True, but abstract." Hooky: "Bernard would be here, but he thinks Q are a bunch of two-faced cunts who have always given us bad reviews." Ah. Thanks, Barney. We think.
|
October 10th,
2005 |
|
|
www.popswirl.com
The
long awaited project
directed by Popswirl of
a cd tribute to New
Order called "Revolving
World – A tribute to New
Order" is now
available. The modern
musical point of view of
15 bands from 5
different countries on a
major band of the 20
past years ; a large
project built on
thinking, sharing and
exchanging musical
experiences, running
from Lyons to Sydney,
Boston to Brussels,
Buenos Aires to Gävle.
More infos on
http://www.popswirl.com/Projet02/Revolving-world_gb.html
1. So Happy - "Blue
Monday"
2. Magnolia -
"Nineteen63"
3. Alight - "Guilty
Partner"
4. Scalde - "Crystal"
5. Shed - "Perfect Kiss"
6. Mango - "World"
7. The Rams -
"Shellshock"
8. Kii Noo - "Age of
Consent"
9. Feelings of Nowhere -
"Round & Round"
10. For the Chosen Few -
"Your Silent Face"
11. Unwise - "Brutal"
12. Eventide -
"Ceremony"
13. Airbag - "True
Faith"
14. Laura Van Damn -
"Turn My Way"
15. Une Vie Austere -
"Lonesome Tonight"
16. Anthony Stretch -
"Temptation"
|
October 8th,
2005 |
|
|
www.screendaily.com
Corbijn takes
Control with
Joy
Division
biopic
Rock
photographer and
music video
director Anton
Corbijn is
preparing for an
early 2006 shoot
for his first
feature film,
tentatively
titled Control,
about the life
of the late Joy
Division singer
Ian Curtis.
Producers Orian
Williams and
Todd Eckert of
US-based
Claraflora first
announced the
project in
January and
Corbijn tells
ScreenDaily.com
that they are
currently
nailing down
financing and
starting the
casting process.
Corbijn expects
to shoot Control
for up to two
months in early
2006 in
Manchester,
Macclesfield,
and surrounding
areas. Factory
Records founder
Tony Wilson,
himself a
mythical figure
in the
Manchester music
scene (as
captured in
Michael
Winterbottom’s
24-Hour Party
People), will
co-produce as
will
Ian Curtis’s
widow, Deborah
Curtis.
Deborah Curtis’s
book Touching
From a Distance
is the basis for
the script (by
Matt Greenhalgh),
but Corbijn
adds, “It’s
broader than
that.” He adds,
“It’s not a
Joy Division
film, it’s a
film about Ian
as an artist.”
No actors have
been confirmed
yet, and Corbijn
admits that that
finding an actor
to play such an
idolized figure
as Curtis is
quite a
challenge. “A
lot of people
have expressed
interest but we
haven’t found
the right people
yet,” he says.
Corbijn reveals
that several
American actors
have expressed
interest in
playing Curtis,
but the director
says simply,
“that would be
wrong.”
Unlike his music
video work,
Corbijn doesn’t
plan to serve as
his own
cinematographer.
He does have
concrete ideas
about the look
of the film
already: “It
will be shot on
film, most
likely in black
and white,” he
reveals. “Most
people’s
memories of that
era are in black
and white. Joy
Division
specifically
seems like such
a
black-and-white
band.” (Corbijn
used B&W images
in his famous
1988 video for
Joy Division’s
Atmosphere that
featured hooded
monks carrying a
giant photograph
of Ian Curtis on
a deserted
beach.)
As for the
sounds of
Control (the
title was
inspired by Joy
Division’s
classic She’s
Lost Control),
the film-makers
have the rights
to Joy
Division’s
music. The
band’s successor
New Order
is also
involved.
The subject is
close to
Corbijn’s heart:
as a young,
music-obsessed
photographer in
1979, he moved
from Holland to
England to be
closer to
Joy Division,
his favourite
band. Two weeks
later he
convinced the
group to let him
do a photo
shoot, despite
his lack of
credentials.
That 1979 photo
can be seen on
Corbijn’s new
Director’s Label
DVD, devoted to
his career so
far. The DVD
includes several
dozen of his
award-winning
music videos for
artists such as
U2, Depeche
Mode, Nirvana,
Metallica, and
Nick Cave, along
with
commentaries and
a 40-minute
documentary
about Corbijn.”
(Thanks to Paul
G. for the
online access)
|
September 30th,
2005 |
|
WILSON HOUSE
PRESENTS FAC 471:
HOT – A
CELEBRATION OF
THE
HAÇIENDA
FEATURING:
808 STATE DJ SET
MIKE PICKERING
GRAEME PARKE
PETER HOOK
JON DA SILVA
SATURDAY 3RD
DECEMBER 2005
10pm – 3am
MANCHESTER
ACADEMY 1
OXFORD STREET
MANCHESTER
And the legend
lives on:- The
most intense
night of 1988’s
‘summer of love’
is officially
returning to
thaw a cold
December
weekend, with a
heady
combination of
air horns, piano
riffs and
memories of lost
inhibitions.
‘Hot’ - the
night that first
brought
hedonistic Ibiza
to Madchester -
is gathering the
greatest names
from the
Haçienda and Fac
under one roof
to show us
exactly what we
have been
missing.
Re-live the long
and steamy
Indian summer
and get sweaty -
jackin’ on the
dance floor with
the people who
brought us acid
house and have
the best record
collections this
side of Chicago.
The unrivalled,
undisputed and
downright
unbelievable
line-up of
Graeme Park,
Mike Pickering,
Jon Da Silva and
the 808 State
boys, as well as
New Order’s
Peter Hook, is
gonna make this
night rocckkkk…
The Haçienda is
back in the
area.
If you weren’t
there first time
round this is
your chance. And
if you were –
I’m sure you’ve
already bought
the ticket. See
y’all there…
Aciiied!

Information:
www.hacienda-hot.com
www.manchesteracademy.net
TICKETS PRICED
£16 AVAILABLE
FROM:
WWW.TICKETLINE.CO.UK
WWW.SEETICKETS.COM
STUDENTS UNION
BOX OFFICE
(OXFORD RD)
Tel: 0161 275
2930
PICADILLY BOX
OFFICE (ST ANNES
SQ)
Tel: 0161 832
1111
EASTERN BLOC
RECORDS (OLDHAM
ST)
Tel: 0161 228
6432
DRY BAR (OLDHAM
ST)
0161 236 9840
|
October 1st,
2005 |
|
 |
|
Michael
Shamberg |
In
1980 filmmaker
Michael Shamberg
was videotaping
concerts at New
York’s legendary
Hurrah nightclub
when he met the
members of
New Order.
Recently renamed
after the
suicide of their
lead singer,
Joy Division’s
Ian Curtis,
New Order
would go on to
shuck the
earlier band’s
existential
gloom for a
spiky electronic
— and wildly
successful —
dance pop. But
in 1980 they
were just a band
on their first
American tour.
Forming a
relationship
with
New Order
and their
manager, Rob
Gretton,
Shamberg
promoted a New
York concert in
1981 and filmed
it with Barry
Rebo as “Taras
Shevchenko: Live
at the Ukrainian
National Home,”
which now
appears on the
New Order
DVD 316.
In the process
he became the
band’s link to
both
cutting-edge
film and the art
world. When
New Order
would release an
album they’d go
to Shamberg, who
would solicit
video proposals
from a series of
great film
directors and
visual artists.
Over the years
Shamberg
produced
New Order
videos by Robert
Frank, Robert
Longo and
Gretchen Bender,
William Wegman
and Robert Breer,
Jonathan Demme,
Gina Birch from
the U.K. band
the Raincoats,
French video
artist Philippe
Decouflé and
Kathryn Bigelow.
“I never had
anyone write a
scenario,”
Shamberg says of
his approach to
video
commissioning.
“The band could
be in [the
videos] or not —
it didn’t
matter.”
As the band grew
in popularity,
they started
needing more,
well…normal
videos. When
their Get
Ready album
was released in
2001, Shamberg
solicited
proposals from
Leos Carax,
David Gordon
Green, Gaspar
Noé and Michael
Winterbottom for
the lead-off
single
“Crystal,” but
the record
company decided
to go with video
director Johan
Renck. Still,
Shamberg
retained his
relationship
with the band
and continued
making quirky
lower-budget New
Order videos
that exist
alongside the
“official”
releases. This
September, Rhino
is releasing a
compilation DVD
that collects
New Order’s
clips with a
chapter heading
allowing the
viewer to play
separately
Shamberg’s
productions.
Included on the
disk are two new
Shamberg clips.
The first is a
simple and
evocative video
for the old song
“Temptation,”
directed by
Shamberg and
featuring
Victoria
Bergsman as a
French girl
buying and
dancing to a
New Order
record. The
second is
Chinese d.p. and
director Yu
Lik-wai’s
color-seared
take on the
band’s first
single,
“Ceremony.”
Of these two new
clips, which
cost only
$10,000 each,
Shamberg says,
“In the early
days, when
Hurrah screened
videos on
monitors, videos
were shot on
video. Then they
became
commercials and
were shot on
film. Now, with
these little
cameras, we can
go back and
shoot on video
with no crews,
and that’s
encouraging.
It’s made me
want to go back
and make short
films.”
The DVD contains
Jonathan Demme’s
epic production
of “A Perfect
Kiss,” a
stunning video
that consists of
precisely framed
shots of the
band recording
the song in a
studio. At the
time, the rumor
was that the
simple video was
extravagantly
expensive, and I
asked Shamberg
if that was
true.
“The band didn’t
mime to songs,”
he explained,
“so we recorded
the song live on
24-track. We
brought d.p.
Henri Alekan
over to
Manchester, shot
in 35mm and
edited with Tony
Lawson on a
flatbed. Then we
went to
Liverpool to do
a mix of the
music and then
traveled to L.A.
to do a final
film mix with
Demme. It was
like making a
mini feature,
and it cost
about $200,000.”
Shamberg is also
building a Web
site (www.
kinoteca.net)
that will
contain his
stories about
the making of
these videos as
well as one
special treat.
“When I called
Leos Carax” —
the legendary
French director
of Les Amants
du Pont-Neuf
— “to do a video
for ‘Crystal,’
he told me, ‘The
video will be
very cheap, but
my fee will be
very large,’”
recalls Shamberg,
who notes that
Carax didn’t get
the job. “Then
one day he
called and told
me that he had
gone ahead and
made the video.
It’s very funny,
and it will be
up on my Web
site. It’s just
him, his dog and
his cat. It
makes fun of
music videos. At
the end, his dog
is sitting there
with an
erection.”
Following the
DVD release,
Shamberg will
move on to
another
Manchester-inspired
project, a
feature on
Joy Division
in collaboration
with U.K.
director Carol
Morley, Yu
Lik-wai and
Natasha Dack of
the production
company
Tigerlily. The
film will
examine the
early years of
the band as seen
from the eyes of
two Japanese
fans who travel
to England to
meet them.
|
September 24th,
2005 |
|
Still
Hooked on the
Hacienda
Having spent
years carving
out a career as
a champion
bassist, New
Order’s
Peter Hook
has recently
taken to
spinning discs
instead of
making them. We
chatted with him
ahead of a
Hacienda
Classics night
to find out how
his DJing career
is going.
Are
you looking
forward to the
Hacienda
Classics night?
"(Laughs) Well,
Manchester’s a
notoriously
tough place to
play and I’ve
not been DJing
long, so I’m
hoping they’ll
be kind to me. I
am looking
forward to it. I
think the
Hacienda still
deserves to be
pushed and
known. It’s just
one of those
great things
that Manchester
had and it’s
nice to rekindle
it. All you’re
asking for is
kindred spirits,
really."
It’s 23 years
since the
Hacienda opened…
"But only eight
since it
closed!"
What do you
think keeps that
vibe going?
|
 |
|
New
Order |
"I think I’d put
it down to the
personalities
that came out of
it. I still
think they’re
very, very
strong. New
Order, even Joy
Division, to
some extent are
allied to it.
You’ve got the
Happy Mondays,
even Gorillaz
bringing Shaun
back. Everything
pre-empts it and
brings it back.
I mean, we had a
wonderful time
then, and the
thing is, people
who were unlucky
enough not to
have had it
would like a
little bit of
it, and people
who have had it
want more of it.
It’s as simple
as that really!"
What’s your
number one
Hacienda
classic?
"That would be a
tricky one. I
think it was
Rhythm Is A
Dancer. That’s
the one that
already reminds
me of it."
Was that the one
that got you on
the dancefloor?
"(Laughs) If I
can remember
ever being on
the dancefloor!
The trouble with
those Hacienda
nights is they
all blend into
one and I can’t
remember any of
them! Rhythm Is
A Dancer was the
one we always
used to put on
in Salford to
warm us up
before we went
down. It’s
always the one
that gets me
going, makes me
smile and
remember those
days."
How do you feel
about playing
those tunes now?
"I don’t mind
playing old
music if it’s
good. To me,
it’s all in one
line, it’s just
great music. All
you’re trying to
do is give a bit
of energy to a
night, you’re
just trying to
make that night
special, so
whatever weapons
you can use to
make it special
is fine by me."
Do you enjoy
DJing?
|
 |
|
Peter
Hook |
"I love it, I
really do. It’s
Mani and Clint
Boon that I have
to thank for
getting me into
it, because I
was really
resistant,
though Bernard
(Sumner) has
done it for
years. It’s
really hard
work. You get
really nervous
because you’re
doing it on your
own. When you’re
alone, it’s
really strange,
because I’m
never used to
being alone. For
28 years, I’ve
hidden behind
the rest of the
group and you
get a lot of
strength from
that.
"So it is quite
nerve-wracking,
but again, when
you pull it off,
you’ve got that
wonderful
eruption of
giving people a
top night. I
like annoying
people as well,
so I throw some
crap in that
really annoys
them, and then
bring it back by
playing Blue
Monday or
something like
that. I do like
to have a bit of
fun at people’s
expense in a way
that New Order
have never
done."
Does it feel
weird playing
New Order
tracks?
"It did do and I
resisted it
valiantly on my
first five or
six DJ sets. I
basically had
people moaning
at me non-stop
because I wasn’t
playing New
Order, and I was
saying ‘that’s
the point! I’m
in New Order; I
don’t want to
play New Order.
I live with it
every day.’ But
you come to
realise that
people come to
hear you to hear
New Order. So
what I did was I
delved into our
extensive
collection of
rare remixes and
stuff that
people hadn’t
heard. I tweaked
a few things
myself, did a
few special
mixes, so I get
my satisfaction
from being arty
and they get
satisfaction
because I’m
playing New
Order. Life is a
two-way street,
isn’t it?"
Does your new DJ
career make you
wish you’d DJed
at the Hacienda?
"No, I had too
great a time sat
in a corner,
completely drunk
out of my head.
I enjoyed
standing there
and watching the
DJs, but the
thing about
working it is
that I wouldn’t
have enjoyed it
as much because
it would have
been work!
"I was taking to
Oliver Wilson
(Factory founder
Tony Wilson’s
son). He’s
really into
getting together
a proper
Hacienda tour
and taking a bit
of what we had
round the
country, and
he’s really
enthusiastic
about it. I was
really nice to
see that
enthusiasm back
because I think
we did have
something very
special, and I
think if you
look at Twenty
Four Hour Party
People, a lot of
us have still
got something
very special, so
why not take it
out? It’s good
for Manchester,
isn’t it?"
What do you
think of the
Hacienda now,
since it’s been
turned into
flats?
"I like that
because I gave
them permission
to use the name,
because I own
the name. If it
had been a club
and it’d carried
on, it would
have been like
seeing your
girlfriend out
with somebody
else. I like the
fact it sits
there as a
monument to that
madness that we
all had for
those years. I’d
love to go in
it. I’ve never
been in it
because I’ve
always resisted
how it would
feel if you went
in, that sort of
ghostly vibe.
It’s on my list
to have a walk
round just to
see if there’s
anything you can
feel in the
walls."
Would there be a
temptation to
get drunk in a
corner?
"Unfortunately,
I have that
temptation every
day in any
corner."
|
Evolution
presents:
Hacienda
Classics |
|
Start
Date: |
16/09/2005 |
|
Start
Time: |
22:00 |
|
End
Time: |
04:00 |
|
Prices: |
adult £12
student £10 |
|
Telephone
Number: |
07771
877696 |
|
E-mail: |
info@evoclassics.com |
| |
Event
website
|
|
Genres: |
Clubbing
& DJ
Bars |
|
Venue
Name: |
The
Music
Box |
|
Address: |
Oxford
Street
Manchester |
|
September 19th,
2005 |
|
John
Peel - Queen
Elizabeth Hall
Radio 1
are putting on a
special gig at
the Queen
Elizabeth Hall
in London on
Wednesday 12th
October.
Is the the night
before the
massive John
Peel Day
happening across
the country and
around the world
on
Thursday 13th
October.
Artists
confirmed to
play so far are:
New Order
Super
Furry Animals
The Fall
Laura Cantrell
Misty in Roots
Venetian Snares
Jawbone
More will be
announced soon.
Radio 1 are
recording the
night and will
be broadcasting
highlights the
next day.
The show runs
from 6.30pm
until 10.45pm.
Doors open at
6pm.
Ticket
Details
Tickets: £25 +
booking fees
They go on sale
ay 9.30am on
Monday 19th
September.
They are
available from
the venue box
office, by
calling
0870 160 2516 or
online at
www.rfh.org.uk.
Tickets are
restricted to 4
per person.
|
September 12th,
2005 |
|
|
MUSIC
star
Peter Hook
has given his
backing to
Manchester
United fans
opposed to the
club’s takeover
by American
tycoon Malcolm
Glazer.
New Order
bassist Hook
– who also
played on the
band’s legendary
England World
Cup song, World
In Motion,
in 1990 – was in
Airtight
recording
studios in
Chorlton
in July this
year
putting his
stamp on a new
football anthem
for Manchester
United to lift
fans whose
spirits have
been dampened by
the takeover.
Well waiting
period to get on
your hands on it
is over. Release
is set for
September 19th,
2005 in
UK.
Catalogue
Number:
MUHP001CD
Track Listings
1. We’ll Never
Die
2. Christian
Word
3. Crazy Guy
|
September 1st,
2005 |
|
|
Off
The Menu news:
Filter
magazine, off
the menu
Entertainment
and Virgin
Atlantic
present
New order's
charismatic
bassist Peter
Hook (Hooky)
on a 240
hr non-stop
party people DJ
tour across
America
spinning
at hot spots
such as GBH at
Lotus, NYC and
Miami's indie
rock aficionados
Revolver!
Sept-29th-Baltimore-The
Ottobar
Sept
30th-NYC-Lotus
Oct
1st-Buffalo-SoundLab
Oct
2nd-Chicago-Smart
Bar
Oct-3rd-Madison-The
Cardinal
Oct-4th-Milwakee-Mantra
Lounge
Oct-5th-Austin-The
parish
Oct-6th-Denton-Haileys
Oct-7th-Miami-Revolver
Oct-8th-Orlando-The
Social
|
September 1st,
2005 |
|
|
London
Records
To
Receive your free "WAITING
FOR THE SIREN'S CALL 7"
collectors slipcase that
house the three versions of
the 7", simply follow this
link (that offer is only
available within the UK):
www.jointhelist.com/Warner/neworder/slipcase
|
September 1st,
2005 |
|
|
London
Records
NEW
ORDER:
WAITING FOR THE SIRENS’
CALL’
THE
NEW SINGLE RELEASED
26th
SEPTEMBER THROUGH
LONDON RECORDS
Following the success of the
top 10 single, ‘Krafty’ and
‘Jetstream’, the superb
collaboration with the
Scissor Sisters’ Ana
Matronix, New Order return
with the sublime title track
from their eight studio
album. ‘Waiting For The
Sirens’ Call’ was produced
by the New Order themselves
and the band consider it to
be one of the best tracks
they’ve ever made.
Waiting for the Sirens Call
will be released on three
separate 7”s only,
remixed and back upped with
exclusive tracks, a slipcase
for all three discs will be
available. Formats are as
follows:
Disc 1: Waiting
for the Sirens
Call Rich Costley Radio Edit
Temptation
Secret Machines Remix
Disc 2: Waiting
for the Sirens
Call Band Mix
Everything’s Gone
Green Cicada
Remix
Disc 3: Waiting
for the Sirens
Call Jacknife
Lee Remix
Bizarre Love Triangle
Richard x Remix
|
September 01st,
2005 |
|
London
Records
NEW ORDER
NEW ORDER TO RELEASE
FIRST EVER DEFINITIVE
COLLECTION
On
October 3rd
New
Order will be releasing
a definitive collection
of all of their singles
to date. ‘Singles’ is
the ultimate anthology
of the works of one of
the most exceptional and
groundbreaking British
bands to date.
Drawing from twenty four
years worth of
remarkable recorded
material, ‘Singles’
compiles every single
released by the band in
chronological order. The
only way to own all the
tracks on ‘Singles’
would be to have
purchased every New
Order single released in
their career. ‘Singles’
displays just what New
Order are so good at –
creating the perfect pop
singles that have
crossed over to become
ideal moments in music
over the last twenty
four years. Where as
previous collections
have focused
on the different
elements of New Order,
‘Singles’ is the first
time that the bands
definitive works have
been laid out to create
this classic New Order
collection.
Tracklisting is as
follows:
Disc
1
Disc 2
1.
Ceremony
1. Blue
Monday
2.
Procession
2. Fine Time
3. Everything’s Gone
Green
3. Round and Round
4.
Temptation
4. Run2
5. Blue
Monday
5. World in Motion
6.
Confusion
6. Regret
7. Thieves Like
Us
7. Ruined in a Day
8. Perfect
Kiss
8. World
(Price of Love)
9.
Subculture
9. Spooky
10.
Shellshock
10. Crystal
11. State of Nation
11. 60 MPH
12.
BLT
12. Here To Stay
13. True
Faith
13. Krafty
14.
1963
14. Jetstream
15. Touched By the Hand
of God 15.
Waiting For the Sirens
Call
16. Turn
|
September 1st,
2005 |
|
|
Warner Vision

NEW ORDER RELEASE
‘ITEM’, A DOUBLE DVD
COLLECTION, ON 3RD
OCTOBER 2005 THROUGH
WARNER VISION
This autumn New Order
release ‘Item’, a two
DVD set that chronicles
the unique story and
visuals of a band that
have gone down in
musical history. In
‘Item’ New Order tell
their account of a
legendary career,
through the stories,
videos and music that
have made them one of
the most important
British bands of all
time.
|
August 18th,
2005 |
|
|
News
from Rhino
NEW
ORDER: ITEM
Link to pre-order the DVD:
http://www.rhino.com/store/ProductDetail.lasso?Number=970482
Ground-Breaking Band Set to
Release Video Collection
Featuring Their Dramatic
Story in Documentary Form
and Never Before Seen Videos
Los
Angeles— New Order, the
innovative British pop group
who have an enjoyed a 25+
year career, is set to
release
NEW
ORDER: ITEM a
23-video collection that
includes hit singles
“Bizarre Love Triangle,”
“Blue Monday,” and “True
Faith,” plus alternate
versions and new videos for
“Temptation” and “Ceremony ”
created exclusively for this
release. The second disc in
the set is a two-hour
documentary with personal
interviews, and interviews
with musicians such as U2’s
Bono on the affect the
band’s music has had.
After the demise of Joy
Division, due to Ian Curtis’
suicide, the three remaining
members moved forward as New
Order. Having already
cemented a solid place in
rock history with Joy
Division, the band had very
little left to prove but
their influence was far from
over. With their uninhibited
use of electronics, the
group changed the way
audiences forever view
electronic music and its
integration into traditional
rock genres. Over two
decades later, their
footprint is all the more
palpable as bands like The
Killers, The Bravery and
Bloc Party consistently cite
New Order’s music as a key
influence.
The band has always treated
the photography and video
elements of packaging and
promotion as an equally
integral part of what they
do. Having continually
turned to the brightest
names in film and
photography when working on
videos to accompany their
songs, a litany of
photographers,
choreographers, directors
and producers have
contributed to this
collection. Included in
this collection is Jonathan
Demme’s video for “The
Perfect Kiss,” famed
photographer William Wegman
and animator Robert Breer’s
vision for “Blue Monday ‘88”
and painter Robert Longo’s
“Bizarre Love Triangle.”
Michael H. Shamberg,
producer of many New Order
videos, contributes liner
notes to the DVD
NEW ORDER: ITEM
Street
Date:
September 20, 2005
Total
Running
Time:
260+ Minutes
CONTENTS
Disc 1- Collection
Confusion
The Perfect Kiss
Shellshock
State Of The Nation
Bizarre Love Triangle
True Faith
Touched By The Hand Of God
Blue Monday ’88
Fine Time
Round &Round
Run
World In Motion
Regret
Ruined In A Day
World Spooky 1963 Crystal
60 Miles An Hour
Here To Stay
Krafty Jetstream
Waiting For The Sirens ’
Call
More:
Alternates
Round & Round– USA/Patty
Regret– Baywatch
Crystal– Gina Birch Version
Paris-Beijing
Ceremony Temptation
Live 1981
Temptation
Disc 2- New Order
Story
The Documentary
|
August 18th,
2005 |
|
|
Ram (Formed
by ex-Revenge
/
Monaco frontman
David
Potts)
Some Ram news for you...
Pottsy is currently
helping his mate out,
playing bass in his band
'Beats for Beginners'.
First time playing bass
live since the Revenge
days! Two songs were
mixed and finished last
week. Those being 'So
low' and 'I'm not
sleeping'. Both sounding
great, thanks to a
helping ear from Tom
Knot 'The Earlies'. Four
more re-recorded
songs will be mixed next
week... 'And I...'
'Faces' 'Elliott's song'
and lastly, 'Free
Yourself' which (in demo
form) will soon be
available to listen to
as the new featured
track on the site.
Thanks again to everyone
who's logged on to the
Ram site (www.ram.uk.com).
|
August 17th,
2005 |
|
Peter Hook
will play a DJ set
at the North Star
venue in the
Shetland Islands on
Saturday 3rd
September.
The gig was meant to
happen in December
2004, but had to be
rearranged due to
Hooky sustaining a
hand injury a week
before the show.
The North Star has
played host to a
number of ex-Factory
acts in the past
including The
Durutti Column,
Silent Partners
(featuring Dermo
from Northside) and
Graeme Park from the
Hacienda.
|
August 14th,
2005 |
|
|
New Order new DVD
Sleeve

New Order upcoming DVD
"Item," due
Sept. 13 via
Warner Music.
22 music videos and a 1993 documentary
|
August 2nd,
2005 |
|
|
New Order on BBC
Radio 1
Time For Heroes: New Order
One of the most important
and influential bands of the
past 25 years, New Order
recovered from the
devastating death of singer
Ian Curtis to make the
biggest-selling 12-inch
single of all time, help
invent house music and
inspire a whole new
generation of bands from the
Killers to Bloc Party.
Features contributions from
the Chemical Brothers,
Doves, Ana Matronic, 2 Many
DJs, Arthur Baker and Tony
Wilson.
To hear the show before
it is broadcast next
Monday
August 8th 23.30
Lamacq Live, click on the
following link
http://www.bbc.co.uk/radio1/onemusic/documentaries/
|
August 1st,
2005 |
|
|
London Records
The
release of
New Order
new single 'Waiting
For The Siren's Call'
is
expected to be
19th September.
|
July 16th,
2005 |
|
|
www.ram.uk.com
Check out
RAM new website
Formed
by ex-Revenge
/ Monaco frontman
David
Potts, RAM have
received fantastic reviews
from just about everyone
from the BBC to Oasis to
Yann Martel (Life Of Pi).
Descriptions of RAM are as
varied as the music; a
grown-up, melodic,
psychedelic, quirky
pop/rock. The RAM sound is
all of these and but paints
on a much broader and
original musical canvas
which even stretches to the
ultra-cool of French cinema
…
www.ram.uk.com
|
July 12th,
2005 |
|
|
www.billboard.com
DVD Rounds Up New Order
Videos, Documentary
New Order has rounded
up 22 music videos and a 1993 documentary for
the upcoming DVD "Item," due
Sept. 13 via
Warner Music. According to a spokesperson, one
disc of the package includes clips for such
classic tracks as "Blue Monday," "True Faith,"
"Bizarre Love Triangle," "The Perfect Kiss" and
"Regret," as well as two newly shot videos for
"Ceremony" and "Temptation."
The other disc will house the documentary "New
Order Story," which chronicles the group
transformation from Joy Division into worldwide
dance/rock superstars. The film was previously
released on VHS but has been expanded here to
twice its original 70-minute length.
New Order is finishing up summer touring in
support of its new Warner Bros. album, “Waiting
for the Sirens' Call.” Bassist Peter Hook told
Billboard.com this spring that the band has
enough leftover material, such as the track
“Stay With Me,” to form the bulk of another new
album, although no release date has been
penciled in.
“We did actually sit there facing each other
with absolutely nothing,” Hook recalls of the
start of the “Sirens' Call” sessions. “It was
quite an incredible moment, actually. Because
now, two-and-a-half years later, with an album
finished and eight songs ready for the next
album, which is probably the most prolific we've
ever been, you can't even imagine for one minute
what it was like to sit there with nothing.”
Here is the track list for “Item":
"Blue Monday"
"Confusion"
"The Perfect Kiss"
"Shellshock"
"State of the Nation"
"Bizarre Love Triangle"
"True Faith"
"Touched by the Hand of God"
"Fine Time"
"Round & Round"
"Run"
"World in Motion"
"Regret"
"Ruined in a Day"
"World"
"Spooky"
"1963"
"Crystal"
"60 Miles an Hour"
"Here To Stay"
"Krafty"
"Jetstream"
"Ceremony" (alternate video)
"Temptation" (alternative video)
|
July 12th,
2005 |
|
|
London Records
For all the fans who Upload
their own
U-Myx of
New
Order's fantastic
new single 'Jetstream'
for a chance to win a 20GB
Ipod (Plus
additional exclusive New
Order merchandise goody
packs for three runners up.)
, the winner will be
announced shortly (initially
on Monday 4th July).
http://www.u-myxneworder.com/index.php
London
Records have
been experiencing technical
problems with downloading
audio entries to the U-Myx
competition, which was tied
in with the 'Jetstream'
single.
For this reason they
have not yet been able to
announce the winner of the
competition.
Stay tune
for the winner announcement.
|
July 10th,
2005 |
|
|
www.nme.com
BRANDON FLOWERS JOINS NEW
ORDER ONSTAGE AT T
 |
|
Brandon and Bernard
onstage at T |
NEW
ORDER were joined
onstage by KILLERS
frontman BRANDON
FLOWERS during
their triumphant headline
set on the NME/RADIO
1 stage tonight
(July 9) at T IN THE
PARK.
Flowers joined the
band for 2001 single
’Crystal’. The band
in the video for the song
were called The
Killers.
The band
also dedicated the
Joy Division
classic ’Atmosphere’
to the people of
London after the
recent bomb attacks on the
city.
Bassist
Peter Hook
said: “There was just no
need for that, no need for
that at all.” He had earlier
told NME.COM:
”It’s really scary. It shows
what a rotten world we live
in.”
He also
praised Scottish audiences,
saying: “They seem to love
us, even after some of the
dodgy shows we’ve played
here! They don’t bottle us
anyway.”
He also said
the reason the band didn't
play 'Blue Monday'
was down to actor pal
Keith Allen,
who had joined them onstage
for footie anthem
'World In Motion'.
He laughed: "Yeah it was his
fault. We always blame
somebody else!"
The set was:
-
’Regret’
-
’Krafty’
-
’Crystal’
-
’Transmission’
-
’Atmosphere’
-
'Waiting
For The Sirens' Call'
-
‘True
Faith’
-
‘Bizarre
Love Triangle’
-
‘Love
Will Tear Us Apart’
-
‘Temptation’
-
‘She’s
Lost Control’
-
‘Blue
Monday’
|
July 7th,
2005 |
|
|
www.metronews.co.uk
Stars
record anti-Glazer single
COME ON US REDS: Will
Melor, James Davenport
and
Peter Hook at the
recording
MUSIC star
Peter
Hook has given his
backing to Manchester United
fans opposed to the club’s
takeover by American tycoon
Malcolm Glazer.
New
Order bassist Hook –
who also played on the
band’s legendary England
World Cup song, World In
Motion,
in 1990 – was in
Airtight recording studios
in Chorlton this week
putting his stamp on a new
football anthem for
Manchester United to lift
fans whose spirits have been
dampened by the takeover.
He said:
“This track is for the fans.
The Glazers are business
men, it’s important to give
them a chance but it’s
really important that they
know that it’s the fans from
Manchester and Salford that
make the club and without
the fans they would be
nothing.
“I grew up
in the shadow of Old
Trafford in Ordsall. United
is very important to me, it
goes all the way through. It
becomes very emotional when
people think they are going
to lose something they’ve
always had so it’s nice to
be able to do something and
I think that the track will
stand up for itself.”
The track is
a cheery, catchy song and
Hook said: “I’ve hardly had
any sleep to get here on
time, but when James rang
and told me about it I
wanted to get involved,” he
says.
“This song
is all about the real fans
and it would be great to get
them chanting in the
ground.”
James joked:
“We don’t hope that by
releasing the single that we
will change the Glazer’s
position, but who knows, if
we sell 500 million copies
we could buy the Stretford
End.”
|
July 2nd,
2005 |
|
|
www.nme.com:
FOR PETE'S
SAKE!
Work
by NEW ORDER’s
sleeve designer is set to appear all over
LONDON – and fans can take
it home for free.
Around 500 guitar cut outs designed by
Peter Saville will be left
across the capital to promote the launch of
new hand-held game and music consol the
Sony PSP, and they can be
taken home by those who find them.
In additional, 50 of the cut-outs will be
signed by Saville, while a
further 20 have been customised by up and
coming British artists.
Saville is famous for
designing all of
New Order’s sleeves,
including the floppy disc cover for the
’Blue Monday’ 12” single,
as well as creating album sleeves for the
likes of Suede and
Pulp.
The guitar cut-outs will appear on
London’s streets between
July 21 and August 1.
|
July 1st,
2005 |
|
|
More exclusive info on
Peter Hook project "Freebass":
I
met up with Matt Clayson (
singer of
Peter Hook side project "Freebass"
( featuring Mani
(Primal Scream and ex Stone Roses) and Andy
Rourke (ex The Smiths))
backstage at New
Order Hyde park concert:
"The
last bit of Freebass recording was in
July last year and we have gotten to the
stage where I have sang on around 10 out
of 18 demo tracks. All of the tracks
were previously recorded by Hooky, Mani
and Rourkey and it was up to me to come
up with melodies and lyrics.
"For me this
was really tough as I wasn’t there when
the songs were being written and as most
of them are a series of ideas mashed
together some of them lack the usual
structure. With my background of verse
/ chorus songs it was a steep learning
curve for me. All of the songs and
ideas so far though are really different
to anything around at the moment and
sound great."
Hooky
mentioned to me that his side project is
very much alive and will be able to
concentrate on it
as soon as NEW ORDER
have wrapped up this year’s work!!
|
June 29th,
2005 |
|
|
Rhino will be releasing a
DVD compilation of all New Order videos
The track listing
for the upcoming New Order DVD:
Confusion
The Perfect Kiss
Shellshock
State of the Nation
Bizarre Love Triangle
True Faith
Touched By The Hand Of God
Blue Monday ‘88
Fine Time
Round & Round
Run
World In Motion
Regret
Ruined In A Day
World
Spooky
1963
Crystal
60 Miles An Hour
Here To Stay
Krafty
Jetstream
Waiting For The Sirens’ Call
Extras:
Round & Round – USA/Patty
Regret – Baywatch
Crystal – Gina Birch version
Live:
Temptation (from 3.16)
New:
Ceremony (dir. by Yu Likwai)
Temptation (dir. by Michael H. Shamberg)
|
June 26th,
2005 |
|
|
www.redissue.co.uk
"The more I have
been asked to do this, the more I think that
it is wrong what Glazer has done by taking
Manchester United from being one of the
richest clubs to being £400m in debt. The
club has been bought, but it's the fans who
have been sold out."
In The M.E.N.:
Many have talked about it, but I hear
that
New Order's Peter Hook
and Salford band Hanky Park are taking the
lead in launching a musical protest against
Malcolm Glazer's takeover of Manchester
United.
Hooky
is to produce an anti-Glazer single using
the music from one of Hanky Park's tracks,
Come On, with new lyrics written by lead
singer James Davenport and their manager Ed
Blaney.
"Come On is a big anthem song and everyone
has been saying that it would be an ideal
tune for a football song," James tells me.
"Lots of people have talked about recording
a protest song or holding an event, but
nothing has been done yet.
"The more I have been asked to do this, the
more I think that it is wrong what Glazer
has done by taking Manchester United from
being one of the richest clubs to being
£400m in debt. The club has been bought, but
it's the fans who have been sold out."
I'm told that the new song will include the
old chant: "We'll never die, we'll never
die, we'll keep the red flag flying high."
James, whose band also recently recorded a
cover version of the Joy Division classic,
Love Will Tear Us Apart, with the help of
Hooky, says that as well as producing the
track the bass-player will also feature on
it. There are many other celebrity United
fans, including Will Mellor, boxer Jamie
Moore and Terry Christian also lining up to
be heard on the track.
And James is hoping to get even more
familiar faces down to the recording on July
4 and 5.
"We want some Coronation Street United fans
to come on board now," he adds.
"There are loads of the cast who support
United so it would be great if they would be
on the track." |
June 25th,
2005 |
|
|
www.nme.com:
NEW
ORDER SURPRISE AT GLASTO
SCISSOR SISTER ANA MATRONIC
joined NEW ORDER onstage at
GLASTONBURY during a
stirring PYRAMID STAGE
performance tonight (June 25).
The legendary band, winners of this
year’s Godlike Genius gong
at the ShockWaves NME Awards,
were joined by the singer for recent single
’Jetstream’.
Singer Bernard Sumner
earlier told NME.COM: “She
came over for this. She looks glamorous, but
she’s got wellies on!”
He also revealed the band had planned to
play ’Crystal’ with
The Killers frontman
Brandon Flowers but it fell
through.
New Order, making their
first Glastonbury
appearance since 1987, performed a greatest
hits set, including a smattering of
Joy Division classics such as
’Transmission’ and
’Love Will Tear Us Apart’.
During set-closer ’World In
Motion’ actor Keith Allen
performed the rap which on record is done by
footballer John Barnes, and
there was pantomime horse onstage too!
The set was:
- ’Crystal’
- ’Regret’
- ’Love Vigilantes’
- ’Krafty’
- ’Transmission’ (dedicated to Ian
Curtis)
- ’True Faith’
- ’Run Wild’
- ’Jetstream’
- ’Waiting for The Sirens’ Call’
- ’Bizarre Love Triangle’
- ’Love Will Tear Us Apart’
(dedicated
to John Peel)
- ’Temptation’
- ’World In Motion’
|
June 25th,
2005 |
|
|
Great news
from New Order management:
Between the soundcheck
and the concert, I sat down with New Order
management (Andrew Robinson and Rebecca
Boulton) to talk about what will be
happening in a close future for New Order.
- As expected
"Waiting for the siren's call" is the
next single, expect a release date early
August 2005.
- Rhino will be
releasing a DVD compilation of all New
Order videos, expect two new video from
old songs (Ceremony and Temptation)
directed by Michael Shamberg. Expect a
release date mid September 2005. Sleeve
will be done as always by Peter Saville.
- New Order did
film the show in New York during their
mini US tour 2005, Hyde Park yesterday
was filmed as well. There is some
possible plan for a DVD release of those
two shows later in the year, an indoor
and outdoor event.
-
No live date are expected after July
31st.
|
June 14th,
2005 |
|
|
Glastonbury Festival
Can't go to Glastonbury this year? Fear not,
for you can watch
New Order's
full performance from the festival for free
in the comfort of your own computer chair.
All you'll need is a broadband connection
and a copy of Windows Media Player and it'll
be just like you're there, only minus the
mud and 100,000 other people. But then
again, they'd all make a mess of your living
room anyway!
Watch at
http://glastonbury.playlouder.com
where the exact webcast times will announced
shortly.
|
June 15th,
2005 |
|
|
www.nme.com:
U2 PAY
TRIBUTE TO MANCHESTER
U2 have opened
the UK leg of their ’VERTIGO’
world tour in MANCHESTER.
The band, who toured extensively across
North America earlier this year in support
of their current album ’How To
Dismantle An Atomic Bomb’, played
the first of two sold-out nights at the
City Of Manchester Stadium
(June 14).
Beginning and ending with recent Number
One ‘Vertigo’, the band
played a hit-packed set that took in current
album ‘How To Dismantle An Atomic
Bomb’, was heavy on tracks from
their debut album ‘Boy’ and
climaxed with an encore that concentrated on
1991 album ‘Achtung Baby’.
Before ‘Miracle Drug’
the singer paid tribute to the city’s
scientific legacy (the first computer was
built in the city) and at the end of
‘With Or
Without You’ he sang excerpts from
Joy Division’s
‘Transmission’ and ‘Love
Will Tear Us Apart’ - as bassist
Peter Hook stood and
watched.
After the show, Bono
told NME.COM: “It was a
strange and overwhelming feeling to be back
in Manchester and so
exposed, because we went out with the sun
still up. Rock stars like proper darkness,
let’s be honest. Rock stars like to stand in
front, behind, on top of or underneath large
video screens. So to stand there in such a
stripped-down way, play songs from our first
album and it feel so right and feel so now,
and all the magic going off; that was good.
|
June 14th,
2005 |
|
Peter Hook
and his Auntie Jean will be will be appearing on
Salford Community Radio from 5-7pm GMT on the
16th of June,
they'll be talking about the local area and Peter
will be providing the music.
This radio station is broadcasting for
one month only as part of a current community
initiative in the Salford area.
Plenty of New Order
tomorrow night on the Alternative Show with DJ
Fez, 7-9 pm, check it out.
www.salfordcommunityradio.org
|
June 09th,
2005 |
|
|
Control: The
Ian Curtis film
Producers : Todd Eckert and Orian
Willians.
Co-Producers : Deborah Curtis and Tony
Wilson
Writer : Matt Greenhalgh
Director : Anton Corbijn
Some update from
the producers:
Polished Draft of the film script are on the
way to key people. The producers couple
weeks ago met with New Order and Co at The
Farm (New Order studio) to go through the
script. Peter Hook
mentioned on last week show
Later...With Jools Holland that the
script was great. Lead
roles are currently being cast. The music for the film will have an original
score and Joy Division
songs will be released as "In Control" and
the associated record (not a soundtrack,
really) will be "Out Of Control"
Bands
like Doves, Elbow, Mogwai and Autolux
have been approached.
|
June 08th,
2005 |
|
|
New Order’s “Jetstream”
Flies to American Clubs
MIAMI (4 March 2005) –
New Order’s
second single “Jetstream” from their new album
“Waiting for the Siren’s Call” hits American
record stores on July 12th, in the
meantime the band’s legendary producer, Arthur
Baker, flanked by some of today’s best DJs will
treat lucky club revellers to rare remixes of
the track along with a gamut of other New Order,
indie and dance hits.
Arthur Baker's Return to New York (RTNY)
extravaganza has been a sensation ever since
their first event back in 2000 with instantly
successful electro-themed nights at the plush
Great Eastern Hotel. Return To New York has
brought DJs and live acts including the amazing
Tom Tom Club, Junior Vasquez, Mark Ronson,
Mantronik,
Jarvis Cocker (Pulp) DJs Are Not Rock Stars Andy
Fletcher (Depeche Mode). “Our audience is
definitely electro; the whole idea of RTNY was
to present a tribute to the past and the future,
bringing in legends alongside new names.”
Explains Baker.
Return to New York made a lasting impression in
America at the 2005 Winter Music Conference in
Miami this past March when Arthur Baker and
New Order
trusted Miami-based event company Off the Menu
Entertainment with the RTNY brand to promote New
Order’s new hotly anticipated album, “WAITING
FOR THE SIRENS’ CALL”. Off the Menu created a
unique RTNY DJ night at club Mansion that
featured Baker and New
Order’s charismatic bassist Peter
Hook, spinning never-heard-before track from the
new album along with big names like DJ Dan,
Tommie Sunshine and Junior Sanchez in front of
over two thousand New Order fans on South Beach.
Off
the Menu along with RTNY’s title sponsor Virgin
Atlantic Airways is now taking the party on the
road to promote the July 12th single
release of New Order’s
“Jetstream” - “The song is uplifting and the
aviation theme is undeniable so the RTNY
Jetstream tour is a perfect fit for our sponsor
Virgin Atlantic, plus our talent coming from the
UK refuse to fly any other airline!” Explains
Roger Williams, Managing Partner for Off the
Menu and affiliated consultancy Airline
Information.
The
RTNY Jetstream DJ tour takes off in club Avalon
Hollywood in
LA on Thursday June 16, when Arthur Baker will
be joined by Mount Sims and Her Boy Star. Baker
then jets to his home town of Boston on June 17th
where RTNY will be hosted at the other club
Avalon and Princess Superstar and Tommie
Sunshine will come aboard to showcase their
Jetstream remixes. New York is the third stop on
the tour where RTNY will be “the thing to do” on
Saturday night June 18th at club Don
Hills; Tommie Sunshine, Nick Marc, Alex English
join Arthur Baker. After New York, the RTNY
Jetstream tour will head west again and wrap up
in Cleveland at Club Metropolis, Sunday June 19,
featuring Arthur Baker, Doc Martin, and Tommie
Sunshine.
Rejecting the obvious has always been
New Order’s
technique: in their 28-year career, they’ve
changed the face of pop music on more than one
occasion. As Joy
Division, they ripped up rock’s rule
book by making music that was heavy and subtle,
glacial, yet full of lament: “Love Will Tear Us
Apart” has just been chosen as one of The Brits
25 best songs ever written. Then, as
New Order, they
were light years ahead of the dance scene with
the world’s best-ever-selling 12” single “Blue
Monday”, before bringing Manchester to the
masses with the platinum-selling album
“Technique”.
As an aside, they made the only cool football
anthem ever made, “World In Motion” – it went to
Number One – as well as having hits with various
side projects such as Electronic, Monaco and The
Other Two.
June 16th Avalon LA
Arthur Baker
Mount Simms
Her Boy Star
June 17th Avalon Boston
Arthur Baker
Tommie Sunshine
Princess Superstar
June 18th Don Hills NYC
Arthur Baker
Tommie Sunshine
June 19th Metropolis
Cleveland
Arthur Baker
Doc Martin
Tommie Sunshine
Princess Superstar
|
June 07th,
2005 |
|
|
news.bbc.co.uk:
Exams juggle for top band's video
A teenager
from Bridgend is juggling his GCSEs with a
starring role in a music video for rock band
New Order.
Nathan
Stadden will play the lead
role in the video
|
Nathan Stadden, 16, a pupil at Ynysawdre
School in Tondu, was selected for the
leading role in the video by the rock band.
But the two-day shoot had to be carefully
arranged so the teenager could sit his
exams.
The video will also feature four other
youngsters from the area alongside the
band's members.
Shooting for the video will take place on
Wednesday and Thursday but is being worked
around Nathan's exam schedule.
"I've got a history exam on Thursday but
luckily it has all been arranged to fit in,"
said the schoolboy.
"I'm so chuffed to be in it because there
were about a hundred who auditioned for the
part.
"When I got offered it, I didn't know if
I would be able to do it because of the
exams but they have worked around the
timetable so I can."
Nathan was chosen for the lead role in
the video and will see him being chased
around various locations in south Wales
including Pontypridd, Southerndown and Port
Talbot.
He is being joined by four other members
of Bridgend Youth Theatre, Daniel Evans from
Blaengarw, Maya Grant from Pencoed, Emma
Davies from Maesteg, and Helen Davies from
Bridgend.
Director of theatre Roger Burnell will
play a security guard chasing them along
with some of the band members.
"It is fantastic that the youngsters from
Bridgend were chosen for the video," said Mr
Burnell.
"I think they wanted youngsters who
showed an honesty and down-to-earth
grittiness.
"And it gives me a lot of pride that they
were chosen from Bridgend.
New Order
formed after the death of
Joy Division singer Ian
Curtis
|
"Nathan has got his exams, but we are
working around that because we have got to
make sure that he feels as comfortable as
possible."
New Order
have been together since the early 1980s and
are recognised as one of Britain's most
influential and acclaimed bands.
Emerging from the ashes of Manchester
legends Joy
Division, they merged dance music
with rock, recorded Blue Monday - the
biggest selling 12-inch single in history -
and have released a string of groundbreaking
albums.
But they are not the only band to have
links with the Bridgend Youth Theatre.
One of the members of Newport rappers
Goldie Lookin' Chain, Matthew Fletcher
Jones, has penned a script for a short film
set in a toilet of a nightclub.
Youngsters from the theatre group will be
shooting the film in August.
(Thanks to Bob T at
the BBC for the link)
|
June 06th,
2005 |
|
|
www.directorslabel.com:
The
Work of Director Anton
Corbijn
(Release September 13, 2005)

Music Videos
Propaganda - Dr. Mabuse
David Sylvian - Red Guitar
Echo and The Bunnymen - Seven Seas
Golden Earring - Quiet Eyes
Echo and The Bunnymen - The Game
Depeche Mode - Behind the Wheel
Joy
Division - Atmosphere
Joni Mitchell with Peter Gabriel - My Secret
Place
Depeche Mode - Enjoy the Silence
U2 - One (director’s cut)
Nick Cave and The Bad Seeds - Straight to
You
Depeche Mode - Walking in My Shoes
Nirvana Heart - Shaped Box
Henry Rollins - Liar
Metallica - Hero of the Day
Metallica - Mama Said
Depeche Mode - Barrel of a Gun
Depeche Mode - It’s No Good
Herberg Grönemeyer - Bleibt Alles Anders
Mercury Rev - Opus 40
Mercury Rev - Goddess on a Hiway
Joseph Arthur - In the Sun
Herberg Grönemeyer - Mensch
U2 - Electrical Storm
Travis - Re-Offender
The Killers - All the Things That I’ve Done
Stuff
Beck and Dave Grohl - MTV Promos
U2 - The making of ‘Electrical Storm’
Some YoYo Stuff - Excerpt
from a film about Don van Vliet aka Captain
Beefheart
Travis - Love Will Come
Through (A home made video with Fran Healy)
Depeche Mode - ‘It’s No
Good’ tour projections
Palais Schaumberg - Hockey
(Anton’s first music video)
Front 242 - Front by Front
NotNa - A documentary
about Anton
Interviews and
Commentaries
With U2, Depeche Mode, Travis, Samantha
Morton, Metallica, Nick Cave, Echo and The
Bunnymen, Mercury Rev,
New Order,
Joseph Arthur, Kurt Cobain, Herbert
Grönemeyer , and others.
56 Page Book
Includes Anton’s photos and drawings.
|
June 03rd,
2005 |
|
|
Warner US:
Upcoming New
Order US Releases
New Order -
Best Remixes
(digital)
– Release June 21st
01. JETSTREAM - Richard X Remix (7:36)
02. KRAFTY - DJ Dan Vocal
03. CRYSTAL - John Creamer & Stephane K Main
Mix (11:25)
04. SPOOKY - Out of Order Mix (6:19)
05. WORLD - The Perfecto Mix (7:33)
06. RUINED IN A DAY - Reunited in a Day
Remix (6:14)
07. REGRET - New Order Mix (5:10)
08. WORLD IN MOTION - Carabinieri Mix (5:52)
09. ROUND & ROUND - 12" Version (6:50)
10. FINE TIME - Silk Mix (6:15)
11. BLUE MONDAY - Blue Monday 1988 12" Mix
(7:09)
12. TRUE FAITH - The Morning Sun Extended
Remix (8:59)
13. BIZARRE LOVE TRIANGLE - Shep's Extended
Dance (6:41)
14. STATE OF THE NATION - (6:31)
15. THE PERFECT KISS - Live Version from the
Perfect Kiss Video (5:18)
16. HERE TO STAY - Felix Da Housecat Mix:
Extended Glitz Mix (8:09)
Jetstream Maxi
(digital) – Release June
28th
1. Jetstream - Radio Edit 3:42
2. Jetstream – Richard X Remix Edit 3:34
3. Jetstream - Jaques Lu Cont Mix 8:21
4. Jetstream - Richard X Remix 7:36
5. Jetstream - Arthur Baker Remix 7:00
6. Jetstream - Tom Neville 7:30
7. Jetstream - Pete Heller 9:01
8. Krafty - Passengerz Remix 7:43
9. Krafty - DJ Dan Dub 8:12
Jetstream Maxi
CD – Release July 12th
1. Jetstream - Radio Edit 3:42
2. Jetstream - Jaques Lu Cont Mix 8:21
3. Jetstream - Richard X Remix 7:36
4. Jetstream - Arthur Baker Remix 7:00
5. Jetstream - Tom Neville 7:30
6. Jetstream - Pete Heller 9:01
7. Krafty - Passengerz Remix 7:43
8. Krafty - DJ Dan Dub 8:12
Jetstream
Vinyl Maxi – Release July 12th
Side A
Jetstream - Jaques Lu Cont Mix 8:21
Jetstream - Tom Neville Remix Dub 6:37
Side B
Jetstream - Richard X Remix 7:36
Krafty - Passengerz Remix7:43
Side C
Jetstream - Arthur Baker Remix 7:00
Jetstream - Tom Neville Mix 7:30
Side D
Jetstream - Pete Heller 9:01
|
May 29th,
2005 |
|
|
Later...With Jools Holland:
Friday 3rd June 2005, BBC2,
11.35pm
|
The Coral, New Order,
Rufus Wainwright & Faith Evans are among the
guests on this week's show
|
New Order
One of the most consistent and
powerful bands this country has
ever produced. They formed out
of the ashes of Joy Division in
1981 and haven't looked back
since. They'll be performing
tracks from their latest album
'Waiting For The Sirens Call'
and a classic Joy Division song.
|
http://www.bbc.co.uk/later/show/index_20050603.shtml.
|
May 24th ,
2005 |
|
|
Return To New York:

More
info soon!!!!
|
May 19th ,
2005 |
|
www.xfm.co.uk
X-clusive:
New Order Complete NEXT Album
 Despite
having only recently returned to the furore,
New Order have told Xfm that the follow-up
to ‘Waiting For The Siren’s Call’ is already
complete and discussed how their
collaboration with Scissor Sister Ana
Matronic came about.
Peter Hook and
Stephen Morris of New Order
and Scissor Sister Ana Matronic
dropped in Xfm for a chat with
Lauren Laverne last week and
addressed reports that their new record is
already in the can (not that you heard that from
us, mind).
“That’s a secret!” exclaimed bass player
Hook when aksed if the rumours
wrer true, “To be honest, it’s very unusual for
us to be that prolific. Every time you ‘come
back’ the first question people ask is always,
‘So why did it take so long?’, so I
think we thought by doing two at the same time
interviewers would be scuppered for their first
question.
“It was nice because at the end the ideas
just came very quickly, but then we had so many
ideas and Bernard [Sumner,
vocalist] wouldn’t let any of em go. We’re used
to him making our lives a misery, but he made us
finish em all.”
“So we ended up with so many tracks we
couldn’t choose between them because they all
sounded like A-sides,” Morris
continued. “In the end we just tried to make the
record run smoothly.”
Ana Matronic and the
New Order pair also spoke about how the
collaboration on their new single
‘Jetstream’ came about.
“When we were recording ‘Jetstream’
in the studio, we were quite happy with it. But
one of our esteemed colleagues at Warner
Brothers felt there was something missing and
that Ana could add that something.
“And we thought, ‘You what? The Scissor
Sisters? Are You Joking?’ And low and
behold as it came to pass, she did. And me and
Stephen are great believers in
people having part time jobs, something to fall
back on. I’ve got a milk round,” Hook
jokes. “And I’m in plumbing,” Morris
adds…
At this point conversation turned to
plumbing, mending Lauren’s
broken boiler and general vocational
employment-related double entendre. However,
when conversation returned to the single, Ana
explained,
“And so I got a cryptic email that said
‘Is Ana a New Order fan’ and so I wrote
back a simple ‘Well, duh!’ And then
about a week later I got a call to lend my
vocals to the track. It was very nerve wracking
at first I thought I’d have to be in the studio
with the band, but I had a great few days
recording with Steve Price.
“In fact, Scissor Sisters’
first tour of the UK was as support act for
Steve's band Zoot Woman,
so we’re pretty friendly and we had fun. But
last week was only the first time we’ve
performed the track together live at the
Hammerstein Ballroom in New
York. I’m still deciding whether to
join the guys for the festivals. I may come
along for Glastonbury...”
|
May 18th ,
2005 |
|
|
Hooky & Ian: IAN CURTIS 1956 - 1980
 |
|
Ian
Curtis - Gone but not forgotten |
It was 2 5 years ago today that IAN CURTIS
ended his life, aged 23.
The driving force behind Joy Division's
dark vision, he hanged himself in his Macclesfield home as the band
rested between a European and American tour. Iggy Pop's 'The Idiot'
was found on his turntable alongside a note which read "at this very
moment, I wish I were dead. I just can't cope anymore".
Joy Division ceased to be - they had
always said they would draw a line beneath the band if any member left. The
three remaining members( Bernard Sumner, Peter Hook and
Stephen Morris) regrouped as New Order during early 1981 (Morris’
girlfriend Gillian Gilbert joined on keyboards) and continue to enjoy
commercial success and critical acclaim.
In March
2005 I had the rare privilege to pay tribute to
Ian Curtis with no other than Peter Hook.
For those who never been to Macclesfield,
UK to visit Ian Curtis grave,
Some Pictures for you.

|
May 17th ,
2005 |
|
|
www.theglobeandmail.com
Here comes the
80s: Too bad about the hair
By
MIKE DOHERTY
In a way, the music of the 1980s has never left
us. Like the albatross around the neck of
Coleridge's Ancient Mariner, or the pastel-pink
sweater draped over the shoulders of the Fresh
Prince of Bel-Air's nerdy counterpart Carlton
Banks, it's well-nigh impossible to shake off.
During the nineties, we were supposed to
appreciate it only ironically, looking back
under arched eyebrows to a time when pop culture
seemed less self-conscious, more wrapped up in
its false sense of innocence. Now, the decade's
pop, in all its earnest tunefulness and
once-futuristic, synthesizer-soaked grandeur, is
making an unmistakable resurgence.
For the past few years, the most influential
band in the world was arguably Joy Division: the
post-punk movement spearheaded by the late Ian
Curtis and his Mancunian mates in the late
seventies gave rise to a whole wave of
frenetically funky groups with stripped-down
sounds. Now, it would seem New Order, the more
accessible band formed in the wake of Curtis's
suicide, is in the ascendant. The group's 1983
single Blue Monday was originally designed as a
test for its new drum machines, but it became a
huge club hit that cemented the band's
cross-pollination of indie rock and
technology-driven dance music. This hybrid has
had a huge impact on a current crop bands. Yet
New Order have always tended to be
temperamentally out of step. They're enigmatic,
wry and experimental -- qualities that haven't
been embraced by many bands following in their
wake.
Take the Killers, for instance. The Las Vegas
act, who have sold nearly three-million copies
of last year's debut album Hot Fuss worldwide,
named themselves after a group of models miming
the song Crystal in a New Order video, a spot-on
parody of overly image-conscious acts. In the
band's bio, singer Brandon Flowers says, "It
gave me the ambition that our actual band should
be as perfect as their fictional band,"
apparently oblivious to the video's irony. Their
1980s-revival rivals and Island Records
label-mates, the Bravery, rose to fame this year
with their debut single, An Honest Mistake,
which sounds like Blue Monday being given a
makeover by a straight-faced,
testosterone-fuelled bar band. This past
weekend, both bands shared the bill and
presumably continued their war of words (the
Killers claim they rediscovered the 1980s first;
the Bravery claim they scare the Killers) at
KROQ's aptly named concert "Weenie Roast" in Los
Angeles.
Then there's the more artistically minded Bloc
Party, whose music seems to rest somewhere
between late Joy Division and early New Order,
with a dose of the Cure thrown in; listen to New
Order bassist Peter Hook, and he'll tell you how
much Robert Smith's gloom-pop purveyors borrowed
from his own band to begin with. Hot on the
heels of all the above are such bands as Battle,
Editors and Apartment, recently featured in an
NME magazine story about the "brightest young
indie bands" who "are using the music of New
Order and Joy Division as a blueprint for their
sound."
And what does New Order make of all this?
Speaking from Oakland, Calif., last month just
before his band's first concert in three years,
Hook told The Globe and Mail, "It's an
impossible situation to sit there and think:
'Oh, let's do a band that influences people.'
People thank you all the time -- it's very
embarrassing. You don't need thanks. My God,
I've had a fantastic time being in this group;
I've had a fantastic time being a musician. And
really, people buying your records, most of the
time, is thanks enough."
Surely, however, both go hand in hand. Plaudits
from younger bands, as well as Gwen Stefani, who
borrowed Hook and singer Bernard Sumner for a
track on her solo debut, have helped bring New
Order into the spotlight they relinquished after
going on a rather acrimonious hiatus in 1993.
Their 2001 comeback album, Get Ready, was a
hard-hitting and vibrant album, but it was
largely overlooked; this year's Waiting for the
Sirens' Call, has garnered much more attention.
When they were recording Get Ready, Hook recalls
feeling "a bit of pressure on us to be
different. Our idea of returning was to try to
either look back to Joy Division and be simpler,
more straightforward, or to look forward to how
we'd be without keyboards or synthesizers. I
think unduly we were worried, because when we
came back, everyone just wanted us to be New
Order. This time, we felt more like we had carte
blanche to do what we like, really -- to just be
ourselves."
It seems, now, that New Order are making the
right music at the right time. But is there any
cultural reason for the recent popularity of
their sound? Hook demurs. "I prefer to think
that music is cyclic," he says. "I agree with
Tony Wilson from [New Order's 1980s label]
Factory; he said that you've heard it all
before. If you look at the way The Rolling
Stones started recycling blues music, it's the
same thing. It's not just happening now with
eighties music; it's happened right the way
through. The clothes weren't great, were they?
The hairstyles certainly weren't great from the
photos I've seen of meself! God knows it can't
be bloody cultural, can it?"
Even Joy Division, a band so singular they
seemed to have sprung fully formed from the head
of their lead singer, were part of a musical
cycle; Hook remembers when people started
comparing his early band to The Doors. "Ian used
to say to Bernard and I that we did sound like
The Doors. We were going, 'Who are The Doors?'
He gave us some Doors LPs, and lo and behold, we
did like The Doors! We actually started playing
Riders on the Storm as Joy Division, as a joke.
Nobody noticed!"
In the latest musical cycle, other acts who
found fame in the eighties are being referenced
by newer bands. Also influential -- for better
or worse -- are the likes of Erasure (on New
York state's Elkland), Rick Springfield (New
York City's Action Action), The Knack
(Vancouver's Hot Hot Heat), Talking Heads
(Montreal's The Arcade Fire), and synth pioneers
Kraftwerk, whose 1970s work influenced New Order
and whose 1981 single Computer Love is
interpolated by Coldplay into their new song
Talk.
But while the gazillion-selling Coldplay have
changed the oddball song about a "data date"
into an earnest, inspirational track, New Order
have celebrated Kraftwerk as being everything
Bernard Sumner wanted his band to be: "rhythmic,
abstract, aesthetic, arty, [screwed]-up and with
a sense of humour," as he told Uncut magazine.
Add hedonistic to the list, and you have a good
description of the multidimensional band who
called a video of a 1985 performance in Japan
Pumped Full of Drugs. These days, according to
Hook, New Order have slowed down. "As you get
older," he admits, "you physically can't do it
[drugs]. A lot of people I know that went
through the eighties mentally can't do it. As
with anything, it's only experience that teaches
you the things you can and can't do. We act
pretty much the same as a bunch of 49-year-olds
would. They do it once a month, don't they, or
once every couple of months, or just at
Christmas. You have to leave all the madness to
the 25-year-olds, who'll be saying exactly what
we said in 25 years."
But where will this hedonism come from? Chris
Martin is an avowed teetotaller, while The
Killer's Flowers is a strict Mormon. Perhaps, in
the end, a dose of unashamedly melodic eighties
pop is all the escape anyone really needs.
For now, New Order are no longer looking back.
Hook says they've got a selection of killer
tracks left over from the Sirens' Call sessions;
he's keen to put paid to at least one long-held
truism about his band: its notoriously slow work
rate. "Our idea," he says, "is to finish up the
tracks at the end of the year and get another LP
out next year. So nobody will be able to call us
'The Old New Order.' "
|
May 11th ,
2005 |
|
|
www.pastemagazine.com:

New Order's
Bernard Sumner
Five Ways To Know
If Your Studio Is Haunted
1. It feels like some
ancient vampire abode.
St. Catherine’s Court (pictured
above), the home/recording studio
owned by actress Jane Seymour, is a
rambling restored manor from the
1300s outside the British town of
Bath. “So we called it Dracula’s
Castle,” says Bernard Sumner, singer
for Manchester technopop combo New
Order. He even christened a punky
dance track with the same name for
New Order’s new return to “Blue
Monday”-ish form, Waiting For The
Siren’s Call.
2. You can’t blow out the
candles until the creaking noises
stop.
Because Sumner often had a hard time
sleeping, he regularly decamped to
St. Catherine’s oak-paneled,
candlelit writing room after
midnight. He soon discovered his
cozy nook had once been used as a
criminal-sentencing court. Not the
best news, he sighs, “when you’re up
late on your own and everyone else
has gone to bed.” Then one night he
heard the floorboards creaking. The
chamber door gently swung open.
Slowly, Sumner turned around to face
… “only Andy, our manager, who’s
also nocturnal.”
3. You have to watch the
portraits, since they’re already
watching you.
There was a painting in the bedroom
of drummer Stephen Morris, depicting
a stoic Elizabethan couple. The rest
of the suite was adorned with
mirrors. “And one day he said to me
‘Watch this—lie on the bed and look
in the mirrors!’” Sumner adds. “And
when you looked in the mirrors, you
could see that couple’s reflection
in every single one. That really
freaked us out.”
4. You don’t dare touch
the baby.
Next to Morris’s bed was a crib,
with a date from the 1600s carved
into it. Inside it was a baby rag
doll and another antique painting,
this one of a young girl. Sumner
kidded his bandmate about the crib,
then reached for the doll, only to
hear Morris scream, “Don’t touch the
baby!” Turns out that in the ’60s,
workers were removing wall panels
when a baby’s skeleton fell out. The
child had been the result of a
clandestine affair in the 1600s
between the daughter of the owners
and the gardener. “So if you move
the baby out of the crib, or take
the portrait out,” Sumner shivers,
“something bad happens.”
5. You try to shrug off
the spine-tingling echo.
During his entire stay at St.
Catherine’s Sumner swears he could
“just … feel something.” Perhaps
that had something to do with the
spine-tingling echo reverberating
from the Siren sessions? No,
that’s just the sound, Sumner
shrugs, of countless copycat bands,
aping the New Order sound for a
new New Wave movement. But that
doesn’t really scare him. “Even in
our Joy Division days, we had our
heroes and we were influenced by
them, like Kraftwerk or Iggy Pop,”
he admits. “…I do think it’s an
honor to have so many of these
groups cite us as an influence.”
|
May 10th ,
2005 |
|
|
6 Music:
Transmission
A special event in Manchester and on
air to mark the 25th anniversary of the death of
Joy Division frontman Ian Curtis.

6 Music takes over
the BBC's Big Screen in Exchange
Square, Manchester at 1900 to mark this special
anniversary. This is a free and ticketless event
and all are welcome. There will be rare footage
of Joy Division
performances released by Factory Records such as
the little seen Here Are The Young Men video and
1979 Manchester Apollo performances.
Plus there will be a screening of a 1988
documentary which looks at the legacy of
Joy Division and
the effect Ian's death had on the remainder of
the band who went on to form
New Order;
with interviews from Alan Erasmus, Tony Wilson,
Bernard Sumner, Peter Hook, Steve Morris, Paul
Morley and their late manager Rob Gretton.
We will also be remembering the life of
Ian Curtis on air
throughout 18 May:
Gideon on Breakfast - 0700-1000
Featuring an interview with Factory's Tony
Wilson.
Andrew Collins (in for Gideon) - 1000-1300
Featuring Peel sessions of Joy Division.
Vic McGlynn 1300-1600
Featuring interesting covers of Joy Division
classics.
Steve Lamacq 1600-1900
Featuring an interview with Anton Corbijn.
Despite his short life Ian Curtis left an
indelible mark on British music, this event
gives us an opportunity to remember and relive
those meaningful times.
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May 8th ,
2005 |
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www.guardian.co.uk
Hear his song
Twenty five years after its release,
Joy Division's 'Love Will
Tear Us Apart' remains a classic,
reflecting the short, chaotic life of its
writer, Ian Curtis
Sean O'Hagan
Sunday May 8, 2005
The only time I saw Joy
Division, Ian Curtis collapsed on stage
during the fifth song and the set ended abruptly
amid confusion and conjecture. The venue was the
Moonlight Club in north London; the date 4 April
1980, the final night of an Easter weekend
showcase for Manchester's Factory Records.
Joy Division played
only five more gigs. In the early hours of 18
May, Ian Curtis hanged himself, brought low by
guilt, illness and acute depression.
That
chaotic show remains one of the most powerfully
intense performances I have ever witnessed, not
least because Curtis seemed to have danced
himself into oblivion, body twitching like a
marionette, eyes staring straight ahead, as he
careered backwards into the drum kit and was
carried off stage, looking dazed, drained and
disoriented. In the previous few years, after
punk had galvanised a moribund live music scene,
I had seen my share of raw and confrontational
gigs, but this was something else. It was as if
the small audience had witnessed something
almost too real, a music so dark and visceral,
so bottomless in its sense of despair, that it
seemed to have literally debilitated its main
creator.
The truth was more prosaic, but no less
disturbing. Curtis, who suffered from epilepsy,
had passed out on stage at least twice before.
That night, the group had played an earlier show
at London's Rainbow, where the strobe lighting
had caused Curtis to have a seizure during the
final song. Years later, his fellow group
member, Bernard Sumner, who took over vocal
duties when Joy Division mutated into New Order,
said: 'When I look back now, we did some gigs we
shouldn't have fucking done... we did the
Moonlight and he was really ill and he did the
gig. That was really stupid.'
Twenty-five years later,
Joy Division is the
name to drop, and the post-punk years, which
stretch roughly from early 1978, when Joy
Division played their first show, to November
1981, when New Order's debut album was released,
is the genre that has seemingly influenced
everyone from Franz Ferdinand to Bloc Party and
beyond. A biopic of Ian Curtis is in
pre-production, directed by photographer Anton
Corbijn and co-produced by Curtis's widow,
Deborah, and his erstwhile record label boss,
Anthony H Wilson. The myth of Ian Curtis looks
set to blossom afresh, and one song, 'Love Will
Tear Us Apart', looks set to remain his enduring
legacy. Released just after Curtis's death, it
became his epitaph, its title engraved on his
headstone, the lyrics expressing all the torment
of his final months
'Love Will Tear Us
Apart' is a delineation in three verses
of a relationship's protracted death throes. The
song's peculiar and still singular dynamic has
much to do with the way Curtis's deep and
plaintive voice is set against the propulsive,
descending, electronic melody. But for all its
glacial modernity, it has often struck me that
it is, in essence, an old-fashioned ballad of
lost love. Slowed down, and tied to an acoustic
setting, it could almost be a traditional folk
song, albeit of the stark and unflinching kind.
This, I suspect, is an often overlooked part of
its enduring power; it touches us in that direct
and deep way great folk songs do.
When I first heard 'Love Will Tear Us Apart',
it had that feel of something groundbreaking. It
sounded confusing in the way truly great pop
songs often do, almost maudlin, almost pop or,
at least, more pop-oriented than anything Joy
Division had done before, with the possible
exception of their anthemic single
'Transmission'. Much of this is to do with what
writer and broadcaster Paul Morley calls
'Curtis's almost crooning, old-fashioned pop
delivery', which he employs here but nowhere
else.
In his thought-provoking study of post punk,
Rip It up And Start Again, pop critic Simon
Reynolds makes a similar observation, capturing
the song's particular dynamic wonderfully when
he writes: 'Curtis's crooning vocal, Peter
Hook's bass and Sumner's keyboard trace in
unison the same, shy, crestfallen melody, while
Stephen Morris's drumming skitters with feathery
unrest.'
As Reynolds points out, the post-punk years,
which coincided with the entrenchment of
Thatcherism, were characterised musically by 'a
mood blend of anticipation and anxiety, a mania
for all things new and futuristic coupled with a
fear of what the future had in store'. If any
one group caught that mood, it was
Joy Division, whose
music was dark and despairing, but whose sound
seemed thrilling in its ice-cold, technological
thrust.
Produced by the late wayward genius Martin
Hannett, released on the intriguingly named
Factory Records and clothed in gothic sleeve
imagery courtesy of graphic designer Peter
Saville, Joy Division's music summoned up the
sound of an uncertain future, looming and
ominous.
Listening again to both their albums, Unknown
Pleasures (1979) and, particularly, Closer
(1980), I am taken aback by how relentlessly
gloomy the songs are. It is as if Curtis has
absorbed all his influences - Ballard, Bergman,
Gogol, Herzog - and channelled their bleakest
visions into songs such as 'Dead Souls', 'New
Dawn Fades' and 'Decades'. The group responded
in kind, elevating the heavy thump of Hook's
bass guitar almost to a lead instrument,
pummelling and propulsive, while Stephen
Morris's drumming style sounded almost
regimental and Sumner's guitar added abrasive
shards of dissonance.
Curtis did not possess a pop voice, and on
the likes of 'Decades', when he sings: 'Here are
the young men, the weight on their shoulders',
he sounds like a stentorian poet laureate
addressing the dead of the two world wars.
Neither, as songs such as 'Isolation' and
'Atrocity Exhibition' show, did he evince a pop
sensibility.
His lyrics on the page often seem
melodramatic and anguished, as if the felt
intensity of adolescence had been carried into
an uncertain adulthood, where the world was a
cruel, harsh, blameful - and shameful - place.
As Reynolds notes: 'Certain words and images
appear repeatedly: coldness, pressure, darkness,
crisis, failure, collapse, loss of control.
Whether through his illness, or the mind-dulling
drugs he used to fight it, or though his natural
melancholy, Curtis was drawn to the dark side
like a moth to a flame.'
'Ian had an incandescent loneliness,' says
Paul Morley, the writer who, as a fledgling
freelancer for NME, first championed Joy
Division and recognised the mythic elements
their music - and their lead singer - possessed.
'He was quiet and reserved, a little bit
old-fashioned northern in his reticence, but
with that lust for knowledge that we all
possessed at the time because our education had,
in effect, left us feeling let down and
frustrated.'
Morley also points to Curtis's 'distinctly
European sensibility' and, perhaps more
illuminatingly, to 'Ian's odd insatiable
curiosity for depraved things'. Deborah, whose
book, Touching From a Distance portrays the more
messy side of the singer's myth as a tangle of
domestic duties and looming fame, echoes this.
'It struck me,' she writes, 'that all Ian's
spare time was spent reading and thinking about
human suffering.' For all these reasons, some of
the songs he left behind are as lyrically
unremitting as any in musical history. 'Mother,
I tried to please, believe me/ I'm doing the
best that I can,' he sings on 'Isolation', a
song Freud would have had a field day with. 'I'm
ashamed of the things I've been put through/ I'm
ashamed of the person I am.'
Against all that, 'Love Will Tear Us Apart'
seems simply and majestically sad, a lament for
a failing relationship, for 'something so good'
that 'just can't function no more'. It is also a
guilt song, addressed to Deborah, to whom he was
both unfaithful and suffocatingly possessive. It
was written while he was conducting an affair
with Annik Honoré, a Belgian he had met on tour.
What sets the song apart is the lyrical
starkness, Curtis's graphic delineation of love
gone wrong. The clattering start, as if the
group can't quite contain their energy, or have
been counted in before they are ready, does not
quite prepare you for the bleak poetry of that
opening line: 'When routine bites hard and
ambitions are low.' Pure northern gritty
realism, not the kind of line one could imagine
Sinatra or Tony Bennett, or anyone else but Ian
Curtis, crooning.
'"Love Will Tear Us Apart",' says Morley, 'is
where the twilight zone that Ian increasingly
inhabited towards the end merges with the
domestic zone of marriage and family duty. He
was being mythologised even when he was alive as
this doomed romantic figure, not least by
Factory, and there was this dreadful sense that
if you created these patterns, they became the
myths that people stumbled into, in Ian's case,
with cataclysmic results.'
The song, though, endures: still resonant,
still sounding oddly awry and oddly
contemporary. And, for all its mordant
observation, its accumulation of deathly detail,
its unflinching candour - 'Why is the bedroom so
cold? You've turned away on your side' - it has
been covered more than 100 times by performers
as diverse as the Oyster Band, PJ Proby, Simple
Minds and Paul Young. Nothing, though, comes
close to the strange beauty of the original.
In this years Brits' awards, 'Love Will Tear
Us Apart' made it into the shortlist for the
best five songs of the last 25 years. The fact
that it was included at all, as Morley attests,
'was slightly sad', not least because it had
been co-opted into that celebrity-driven, music
business-marketed contemporary showbiz zone
where everything has been hollowed out, drained
of meaning.
The winning song was Robbie Williams's
'Angels', as old-fashioned and overblown as
'Love Will Tear Us Apart' is modernist and
coruscatingly honest. One can only pray Robbie
will have the good sense not to follow in Paul
Young's misguided footsteps. Most great songs
attain a life of their own once released into
the world, but 'Love Will Tear Us Apart' is the
exception to the rule: it belongs exclusively to
Joy Division and to
Ian Curtis, even if he could not ultimately
carry its weight.
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May th ,
2005 |
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www.pitchforkmedia.com Live: New
Order
Hammerstein Ballroom, New York, NY: 5 May 2005
Story by Amy Phillips
It took about 10 seconds after singer/guitarist
Bernard Sumner, bassist Peter Hook, drummer
Stephen Morris, and newbie guitarist/keyboardist
Phil Cunningham walked on stage at the sold-out
Hammerstein Ballroom in midtown Manhattan two
weeks ago for me to realize something
surprising:
New Order are fun.
No, it was more than surprising. It was like
simultaneously discovering that my dad is a
wizard and my mom is a superhero. After all
these years of flatlined grooves, austere
artwork and Ian-Curtis-died-for-your-sins doom
and gloom, I expected an evening of dour,
faithful recitations with little fanfare or
movement but lots of darkness and smoke
machines.
Well, I was right about the smoke machines. Hook
positioned himself right in front of one,
letting it blow his long blonde hair back
romance-novel-style. With his gray wifebeater,
copious tattoos, and leering grin, he reminded
me more of a creepy dive bar bouncer than the
bassist in the most revered post-punk band of
all time. Sumner, too, was all smiles, looking
like a soccer dad going to the office on casual
Friday as he strapped on his guitar. Then he
picked up a melodica.
I guess I'd always known that those dinky notes
heralding the start of "Love Vigilantes" came
courtesy of that goofy little instrument, but
the sight of Sumner huffing and puffing away to
kick off his group's first New York performance
in over ten years was equilibrium-altering
nonetheless. Blue lights flashed, smoke
billowed, Hook struck rock-god poses, Sumner
awkwardly hopped up and down, and any notions of
New Order as some sort of historical museum
piece were smashed to bits.
It was a living, breathing rock and roll band up
there, irreverently tearing through their back
catalogue and celebrating songs from their
comeback albums, 2001's Get Ready and this
year's Waiting for the Sirens' Call. Favorites
such as "True Faith," "Temptation", and "Bizarre
Love Triangle" were gleefully delivered as the
danceable, populist pop songs they truly are,
with Sumner interjecting incongruous "WHOO"s and
"YEAH"s throughout. (I'm also pretty sure I
heard him shout "BLACK POWER!" at the end of
"Regret." WTF?) The canned beats and piped-in
diva backing vocals on newer tunes such as
"Crystal" and "Krafty" sizzled with extra
cheesiness, and Ana Matronic from the Scissor
Sisters took the stage to add lusty moans to
latest single "Jetstream." Show-closer "Blue
Monday" exploded with a sample of Kylie
Minogue's "Can't Get You Out of My Head' and
enough strobe lights and industrial menace
(courtesy of Hook's primeval pounding on a drum
pad) to rival an Orgy c! oncert.
But at no time did New Order piss on their
legend more than in their renditions of four Joy
Division classics. "Transmission", "Love Will
Tear Us Apart", "She's Lost Control", and
Atmosphere" were stripped of all proto-goth
melancholy and transformed into zippy
crowd-pleasers. "This is a good old-fashioned
sing-along," Sumner announced before "Love Will
Tear Us Apart", and indeed it was, complete with
much hand-clapping and shoulder-hugging from the
sold-out audience. "Love, love will tear us
apart again. YEAH!" Sumner shouted, as I watched
two dressed-down Wall Street types clink their
plastic beer cups in a toast.
Yes, it was all quite disconcerting, but in a
good way. Knee-jerk deference to the canon is
for purists I wouldn't want to party with
anyway. And neither would New Order.
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May 4th ,
2005 |
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New Order is a joy
undivided
By Joshua Klein
Even with 25 years under its collective
belt—more, if you include its slightly earlier
incarnation as Joy Division—New Order still
often behaves like it has stumbled fortuitously
into its place in the post-punk pantheon. For
years the band has exhibited a remarkable lack
of ego, its particular genius stemming from an
endearing casualness.
But the more these affable blokes from
Manchester shrug off any honorifics, the more
their followers offer them. The thousands at the
sold-out Aragon Ballroom on Tuesday night
worshiped the band like a spirit-fearing ancient
tribe witnessing a solar eclipse.
New Order, for its part, has gradually shifted
from being almost confrontationally aloof to
grudgingly accepting, and perhaps even being
proud of, its legacy. That's noticeable from the
number of Joy Division songs the group now
regularly and enthusiastically sticks into its
set.
"That was a beautiful song by Joy Division,"
singer Bernard Sumner said after the group
played its first encore of the spectral and
spectacular "Atmosphere." He then said, "This is
a beautiful song by New Order," before the band
began the hypnotic pulse of "Your Silent Face."
Those two songs capped a stunning evening of
music that ranged from rockers such as "Crystal"
to more dance-oriented tracks such as "True
Faith," "Bizarre Love Triangle" and "Blue
Monday." Hot off a celebrated performance at
California's Coachella festival, New Order
proceeded to eclipse that set in even better
spirits and better form.
Sumner played jaunty melodica to start the
group's wartime meditation "Love Vigilantes,"
while drummer Stephen Morris deftly embellished
various programmed rhythms. New member Phil
Cunningham helped keep songs such as "Krafty"
afloat during the quiet bits, then aided the
band as it soared into one ecstatic chorus after
another.
Yet the heart of New Order remains bassist Peter
Hook, the melodic hum of his guitar the group's
most identifiable trademark and his splay-legged
stances and lurching strumming the most overt
link to the band's punk roots. As the minimalist
"Temptation" hit euphoric heights and "Regret"
the right notes of romantic longing—and even
when the band took a breather with the banal "Jetstream"—Hook's
playing always provided a vital boost.
That was never more apparent than when the group
pounded out furious renditions of Joy Division's
"Transmission" and "Love Will Tear Us Apart." In
fact, all four members seemed to tap into stores
of power and energy they sometimes kept in check
during lighter numbers, as if recognizing the
lasting impact of these songs and the need to do
them justice.
The Chicago Tribune
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May 3rd ,
2005 |
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New Order dusts off pieces of its past at
Coachella Festival
By Greg Kot
Tribune music critic
May 3, 2005
INDIO, Calif. -- "We're going to do it. We're
going to play some Joy Division songs,"
singer-guitarist Bernard Sumner revealed a few
days before New Order helped close the Coachella
Valley Music and Arts Festival on Sunday.
"It's been 25 years since Ian [Curtis] died and
we want to do something in his honor," he said.
New Order had avoided playing songs by Joy
Division for two decades, in part because it was
a tragedy--the suicide of Joy Division singer
Ian Curtis--that forced Sumner and the band's
other surviving members, bassist Peter Hook and
drummer Stephen Morris, to carry on as New
Order.
But as the 25th anniversary of Curtis' death on
May 18, 1980, approaches, his old bandmates
decided it was time last weekend to acknowledge
their past. The performance was a prelude to the
legendary band's first Chicago concert in more
than a decade--on Tuesday at the Aragon.
Morris' tom drums thundered on "Love Will Tear
Us Apart," and the voices of Hook and Sumner
rose to a fevered pitch as they commanded,
"Dance, dance, dance to the radio" on a
spectacular "Transmission."
These Joy Division staples were received like
lost national anthems by an audience of more
than 40,000--and why not?
The influence of New Order and Joy Division has
never been more apparent, their merger of rock
guitars, icy keyboard textures and electronic
dance music a template for countless bands who
played the two-day festival, including the
Bravery, Kasabian, and Sunday headliner Nine
Inch Nails. In its sixth year, Coachella has
reaffirmed its claim to be North America's most
prestigious rock concert, a legitimate answer to
massive European festivals such as Glastonbury
and Reading.
Chicago Tribune
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May 2th ,
2005 |
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Sixth Coachella Fest Offers Numerous Highlights
Performances from some of the world's most
popular and influential bands highlighted the
sixth Coachella Valley Music & Arts Festival,
which concluded last night (May 1) at the Empire
Polo Field in Indio, Calif. About 50,000 people
descended on this desert town for the two-day
event, which featured headlining sets by
Coldplay and Nine Inch Nails, plus rare
appearances from Bauhaus, Gang Of Four and
hip-hop duo Black Star.
Coldplay's Saturday set went heavy on such
anthems as "Clocks," "The Scientist," "Yellow"
and "In My Place" but was bookended by songs
from its upcoming Capitol album, "X&Y": opener
"Square One" and closer "Fix You." The group
also debuted new album track "Low" and "'Til
Kingdom Come," the latter of which was penned
for Johnny Cash prior to death but appears as a
bonus cut on the upcoming disc.
Last night, the Trent Reznor-led Nine Inch Nails
drew one of the biggest crowds of the weekend to
the main stage for intense versions of "Head
Like a Hole," "Closer" and "Piggy," plus its
latest single, "The Hand That Feeds." That cut
is the lead track from the new Interscope album
"With Teeth," NIN's first since 1999.
Despite lead singer Bernard Sumner hobbling
around with what he described as a torn ligament
in his foot, New Order rocked through an
impressive 11-song set last night that ran from
vintage staples like "Blue Monday," "Regret" and
"Bizarre Love Triangle" to brand new fare like "Krafty,"
"Jetstream" and the title track from its new
album, "Waiting for the Sirens' Call." The group
also drew roars of approval when it dusted off
Joy Division's "Atmosphere," "Transmission" and
a rousing rendition of "Love Will Tear Us
Apart."
Playing their first show in years, Black Star's
Mos Def and Talib Kweli hit the high points of
their lone studio album, a 1998 self-titled
effort for Rawkus, including "Brown Skin Lady,"
"B Boys Will B Boys" and "Re: Definition." In
addition to versions of Mos Def's "Sex, Love &
Money" and "Ms. Fat Booty," the pair brought
rapper Common on stage for a tune toward the end
of their Sunday set.
Pioneering goth rock outfit Bauhaus,
particularly blonde, goateed frontman Peter
Murphy, sounded sharp on such formative numbers
as "Bela Lugosi's Dead" and "Flat Field," while
the reunited Gang Of Four rattled off spare,
angular funk/rock workouts such as "Damaged
Goods,"
"Anthrax" and opener "Return the Gift."
Other noteworthy performances throughout the
weekend were turned in by Wilco (the band had to
cancel its 2004 appearance while frontman Jeff
Tweedy was in rehab for a painkiller addiction),
Secret Machines, Z-Trip, Pinback, Spoon and
M.I.A., whose late afternoon Sunday set drew an
overflow crowd to the Mojave tent.
-- Jonathan Cohen, Palm Desert, Calif.
from billboard
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